Welcome back! Desperate to know what the best films I watched in March were? Probably not but thanks for stopping by anyway! In case you missed the bottom fourteen, here's the list.
And now it's time for the top fourteen of the month of March:
14. The Help (Tate Taylor, 2011)
It’s a white woman’s burden as Emma Stone helps the poor black maids
of 1960’s Mississippi find a voice by writing their stories of oppression and
discrimination and turning them into a book.
Typically it takes a white character to set the story off and to help
the black folk to speak up for themselves but other than that, it’s an engaging
enough story that is gifted with great performances from an exceptional mostly
female cast.
13. Shifty (Eran Creevy, 2009)
Low budget British film about a crack dealer whose world gets turned
upside down when an old friend returns home.
Riz Ahmed and Daniel Mays give solid performances alongside a stand out
turn from the villainous Jason Flemyng.
It’s all wrapped up a little predictably and conveniently but the
characters are realistically written and the story pace never drags making it a
satisfying, if not electrifying package.
12. Cave of Forgotten Dreams (Werner Herzog, 2011)
Herzog’s awe at the discovery of some of the earliest examples of
cave drawings is palpable and contagious.
The footage of the drawings, and the drawings themselves, are incredible
and this documentary introduces the audience to some of the people that
discovered them as well as a range of experts who all have theories and ideas
about what the drawings can tell us about the early human race. Fascinating.
11. X-Men: First Class (Matthew Vaughn, 2011)
Matthew Vaughn’s very entertaining prequel/reboot to the X-Men
trilogy actually manages to beat Bryan Singer and Brett Ratner’s takes on the
superhero mutant team. With Fassbender
and McAvoy as the main draws playing young Magneto and Professor X, this was a
surefire winner from the start. But the
younger ensemble that includes Jennifer Lawrence and Nicholas Hoult and the
cool 60s setting also help to make this a comic book movie that sticks in the
memory longer than a day.
10. The Inbetweeners (Ben Palmer, 2011)
The antics of British televisions cheeky quartet transfer
surprisingly well to the big screen with the lads going to Malia for a holiday
with the potential for sun, sea, drinks, and sex. It has moments of laugh out loud hilarity and
a decent story that lacks surprises but will keep fans of the show happy. Everyone else might want to stay clear as I
can’t see this gaining them more fans.
9. Swingers (Doug Liman, 1997)
Favreau and Vaughn shine as a sweet double act, the former dealing
with a break up and the latter determined to consistently score with plenty of
women. Vaughn’s charisma is clear but
Favreau carries the heart of the movie.
The central relationship between the boys is sweet and convincing and
though the women characters are short-changed, this is a story about men being
men filled with great dialogue and amusing movie references.
8. The Ides of March (George Clooney, 2011)
Gosling gives a great performance as an idealist on the political
campaign trail who slowly realizes the kind of person he must become to survive
and thrive in the dog eat dog world of politics. Clooney directs himself and creates a
cautionary tale of what seems to be the cruel and sad harsh reality of a life
in modern politics.
7. The Interrupters (Steve James, 2011)
Inspiring documentary that follows a brave group of people that
spend their time ‘interrupting’ gang violence in dangerous neighbourhoods. Sometimes the subject of the documentary
makes it a winner, never mind the style, the storytelling, the skills of the
director. This inspirational group of
people deserves to have their story told and heard by the world and thankfully
they make for an interesting group of characters and their stories and
interactions make for emotional viewing.
6. Elite Squad: The Enemy Within (Jose Padilha, 2011)
Complex characters and action packed drama in this sequel to a film
I barely remember. The favelas are still
just as dangerous, the cops still as corrupt and the system itself is
challenged in this Brazilian blockbuster with added brains. A conflicted cop sees the corruption at the top and must decide between his traditional methods of law enforcement and a more modern approach to the violence and drug problems in the favela.
5. Warrior (Gavin O’Connor, 2011)
Macho MMA melodrama with a trio of great performances at its
heart. Despite the impressive
physicality of Tom Hardy and Joel Edgerton (rapidly becoming two of my
favourite actors), the film belongs to Nolte who can just deliver a look of
longing that can set the hardiest of macho men’s eyes watering. When the characters are this well drawn and
the performances are this strong, it matters not that the final punch up is
predictable from the very start.
4. Snowtown (Justin Kurzel, 2011)
Another true life serial killer film but shot with stunning artistry
and filled with wholly believable performances from a cast of unknowns and
non-professionals. It may be bad taste
making a film about these despicable slayings but when the film is this
mesmerising and memorable, it’s hard not to forgive the filmmakers.
3. The Hunger Games (Gary Ross, 2012)
A solid adaptation of a brilliant book. The story is still as thrilling and the
performances are all great with the casting spot on. My only gripe is that the violence was not as
shocking as it was in the book. The need
for a low rating squashed some of the intense threat and more violent moments
of the book. That said the handheld
camera and production and costume design are not as bad as some reviewers would
have you believe with District 12 being particularly well realised. Lawrence is great with some moments actually
beating the book for emotional resonance.
2. Drive (Nicolas Winding Refn, 2011)
Finally got to see what all the fuss is about. The film is gifted with great music, great
performances, spare dialogue and a gripping story. There is beautiful use of lighting and colour
and an extremely cool hero played by man of the moment Ryan Gosling. The kind of film that will undoubtedly reward
repeat viewings with its irresistible mix of sweet sensitivity and vicious
violence.
1. 1. We Need to Talk About Kevin (Lynne Ramsay, 2011)
My top film of the month and quite possibly my favourite film of
2011. Kevin is a psychopath. Not sure why, let’s just say he just is. His long-suffering mother (heart-breakingly performed by Tilda
Swinton) is ostracised from the community due to Kevin’s actions and the
non-linear narrative switches back and forth between the present and the past
as Swinton deals with her odd son. Kevin
is a brilliant movie monster. Uncaring,
obnoxious, arrogant and hideous. He even
looks straight into the camera at one point and seems to chastise the audience
of the film in a scene that nearly made me choke with laughter and shock. It’s got a bloody gut punch of an ending
too. I can’t recommend it enough.
So that's it. I'm still debating whether it's time to make my 'best of 2011' list or to wait until I've seen other possible contenders such as Take Shelter and The Skin I Live In. Decisions, decisions. Either way I need to slow down on the film watching in April and concentrate on other things. Nameley Breaking Bad series 2 and 3!
What do you think of this list? Anything controversial?
