Showing posts with label how i live now. Show all posts
Showing posts with label how i live now. Show all posts

Sunday, 5 January 2014

Best British Films of 2013

I saw nearly 20 British films in 2013, many of them of an excellent quality. I love a bit of homegrown cinema and wish more of our talent felt that they could stay in the UK and make the films they want to make. It seems that the Brits pretty much rule Hollywood anyway but imagine if all our stars, directors and all the rest of the talent that bugger off to Hollywood continued to make films for the British industry, I'm damn sure we could rival the American industry.

Superman, Spiderman and the last Batman were all British. Harry Potter was British. Why isn't the British industry as wealthy as Hollywood? Well that's a debate for another time. But thankfully because there isn't as much ludicrous amounts of money flying around, we get to make some gritty and challenging films that often reflect the ugliness and occasionally the beauty of this fair isle.

Sometimes we want to make crowd pleasers and sometimes it seems our directors are actively trying to put people off from seeing their films. I think my top 10 of the year shows a very healthy and diverse British film industry at work.

The only films that I suspect I should have seen before making this list are: The Selfish Giant, Philomena and About Time.


The films that nearly made this list include: Summer in February, Song For Marion and Alan Partridge: Alpha Papa

And now on to the main event. If I have reviewed the film, then please click the title to be magically transported! Here is my top 10 British films of 2013:




10. The Look of Love 

'The Look of Love is the rise and fall of an exploitative entrepreneur. Raymond may not be overly likeable but his relationship with his daughter can be touching and provides evidence of a misguided heart beneath the brash exterior perfectly played by Coogan.'


9. Trance 

'Trance may not have the propulsion or the life affirming joy of Danny Boyle’s greatest films, but as a modern noir and an intriguing psychological maze of a film, it leaves most recent thrillers as distant fading memories.'

8. Sunshine On Leith 

'If nothing else Sunshine on Leith should have you singing along to many of the tunes and confirms Dexter Fletcher as a diverse director to watch. It is a sunny delight!'


7. In Fear 

'In Fear is simplicity itself for much of its running time before running out of gas and resorting to conventional psycho killer thrills by the final scenes. The story may lack much that is new but the execution is brutally efficient.'

6. The Liability 

'The Liability comes loaded with two smoking barrels worth of humour and warmth. While it does not match the very best of British, it is a sharp shooting hitman thriller nonetheless.'



5. I Give it a Year 

'Taking awkward comedy to new levels of cringe worthiness, I Give It A Year will make you squirm in your seat more than a Saw film. Give it ninety minutes of your life.'


4. How I Live Now 

 'Adapted from the novel by Meg Rosoff, it really treats its audience as adults containing mild incest, plenty of swearing, a dash of sex and some shocking moments of violence. It is admirable for not toning down the brutality of war (hello Hunger Games) or the language and lust of its protagonists (goodbye Twilight).'


3.Filth 

'With a sensational soundtrack and putrid performance from McAvoy, Filth is far more fun than it should be. Wallow in it…'


2. Broken 

'Broken is at its best with its wonderful characters and their beautifully observed relationships. The film is filled with outstanding performances that will make audiences smile, laugh and maybe even cry. There are minor issues but nothing in urgent need of repair and Broken will likely be fixed in your mind long after the credits roll.'


1.The World's End

 'The World’s End is like a perfectly poured pint. Golden, bubbly and with an excellent head on it; it tastes so good, you hope that there will be more flavours to the so-called Cornetto trilogy. Instantly quotable and with some of the best profanity ever written, The World’s End is a great way to spend your last night on Earth.'

What were your favourite British films of 2013?

Why don't you stay awhile? More 2013 lists from I Love That Film:

TV in 2013: Breaking Bad, Dexter, The Walking Dead, Homeland and more

World Cinema in 2013

Best books I read in 2013

Top Documentaries of 2013

2013 List of Shame or 25 films I should have seen this year

2013 Top 10 Horror, Fantasy and Science Fiction

2013 Top 10 So Far (written in July)

Top 25 Films to see in 2014

Sunday, 29 September 2013

How I Live Now Review



Adaptations of popular novels for young adults are clogging up Hollywood production lines quicker than authors can write them. Following the success of Twilight and The Hunger Games comes a far grittier, grounded tale of ordinary kids at war starring Saoirse Ronan.


As American abroad Daisy, Ronan is outstanding, at first precocious teen before becoming a slowly budding flower when shipped to the English countryside to stay with her cousins. With World War 3 about to break out, her Aunt Penn leaves Daisy with the children; hunky Edmond (George MacKay), nerdy Isaac (Tom Holland) and their imaginative but annoying little sister Piper (Harley Bird).

Just as Daisy starts to let herself go, breaking down the barriers she puts up against the world, a nuke devastates London and worse still, she starts to fall in love with cousin Edmond. Heartbreak ensues as the kids are split up, forced to survive the war apart and desperate to find a way back home.


Director Kevin Macdonald creates two very distinct moods; optimism, hope, beauty and the joy of being young and free in the outdoors before the second half paints a bleak portrait of life under occupation. Despite the mood swing, Franz Lustig’s gorgeous bursts of close up photography stay beautiful throughout, adding pathos to the already emotional story.

While some elements of the novel appear lost in translation (the telepathic stuff sits uneasily with the realism of the rest of the film), Saoirse Ronan gives a magnificent performance transforming slowly from self-centred teen to terrified but determined victim and finally to something more.


Adapted from the novel by Meg Rosoff, it really treats its audience as adults containing mild incest, plenty of swearing, a dash of sex and some shocking moments of violence. It is admirable for not toning down the brutality of war (hello Hunger Games) or the language and lust of its protagonists (goodbye Twilight).

THE VERDICT A YA adaptation with the focus firmly on the adult, How I Live Now mixes forbidden romance with a bleak vision of World War 3. Twilight it ain’t.   

Certificate 15 Director Kevin MacDonald Starring Saoirse Ronan, George MacKay, Tom Holland, Harley Bird, Anna Chancellor Screenplay Jeremy Brock, Tony Grisoni, Penelope Skinner, Jack Thorne Distributor Entertainment One Running time 101 mins

Watch the trailer:



Recent reviews at I Love That Film: 

Filth

The Call

Rush

The Lone Ranger

You're Next

We're the Millers

2 Guns

Man of Steel

This is the End

Fast and Furious 6

Saturday, 21 September 2013

Upcoming Screenings: Sunshine on Leith, Filth, How I Live Now

This week is looking a bit hectic with one premiere to attend and two preview screenings. First up on Monday I am going to interview the stars and director of Sunshine On Leith, Dexter Fletcher's new film. Then on Tuesday it's James McAvoy starring dirty cop black comedy Filth and finally on Wednesday, I'm going to a free student screening of How I Live Now from director Kevin MacDonald and starring Saoirse Ronan.

The cast in attendance at the Sunshine on Leith premiere will include Jane Horrocks, Freya Mavor, Kevin Guthrie, George Mackay, Antonia Thomas and apparently special guests The Proclaimers will also be there along with director Dexter Fletcher. Booooo no Peter Mullan though. I'll be standing in the press pen interviewing the attendees for Tastic Film so hopefully you will be able to see the videos up on the Tastic Film YouTube channel soon after. 

If this film is even half as good as Fletcher's directorial debut Wild Bill, I'll be very pleased!

Here is the trailer for Sunshine on Leith:



Then on Tuesday it's off to see the adaptation of Irvine Welsh's horrible novel Filth starring James McAvoy as a despicable copper with a tapeworm and highly dubious morals. I hated the book (from the same author as Trainspotting) but the trailer makes this look like it might actually be a bit of guilty, sick and twisted fun!



Then finally it's a young adult adaptation from awesome director Kevin MacDonald that sounds much darker than your average Twilight, Mortal Instruments or any other number of fantasy adaptations for teens. Stick with the trailer past the first 40 seconds of sunshine and laughing. When war breaks out in our recognisable reality this looks like it should get far more exciting than a bunch of CG supernatural creatures flying about the place!



Any of these take your fancy?