T2 Trainspotting Trailer Arrives: Better Late Than Never

I believe the expression is: 'there are no words'. The trailer for Trainspotting 2 has given me 'all the feels'. Finally, the sequel to one of the greatest movies of all time, and probably my favourite British movie ever, is here. And it's pretty much everything I could have hoped for.

T2 Trainspotting will be arriving at your cinematic station on January 27th 2017. Here's the poster and trailer:

Interview with Jon S. Baird: Director of Filth

With Filth arrived in all its dirty, disgusting glory on DVD and Blu-ray, I caught up with Scottish director Jon S. Baird whose only previous feature film credit as director was the little seen biopic Cass. I asked Baird about what inspired him to make an adaptation of the Irvine Welsh novel, what it was like working with James McAvoy and if there is a possibility of a sequel. With Baird recently announced to be taking over from Danny Boyle on directing new TV series Babylon, I also picked his brains on what details he could spill on future episodes.

When did you first read Filth and when did you decide to adapt it?

I read it the day it came out in 1998 and I loved it straight away. I wasn’t working in the film industry but then I met Irvine ten years later and I’d since read it four or five times. I just pitched him straight away. I said I’d love to do it, are you interested? We got talking and then he was hopefully impressed with the pitch I had and it went from there. I was just infatuated by the main character.

How important was Irvine Welsh to getting the movie made?

He was there to give support with his name and stuff. He wasn’t hands on but he was very supportive and particularly when the film came out in terms of publicising it, he was great. He’s a very close friend now so he was always there as a confidant as well.

This is probably the most ever producers on one film… was it hard to get funding… even once you got this cast?

Yeah it was tough to get funding. We were grateful to all the guys who put the finance in. A lot of the producers who are credited on the film, I haven’t even met before. We’re grateful to them because it was a very tricky one to get off the ground.

Why did you decide to dial back Bruce’s physical disintegration from what happens in the book?

I just didn’t think that was as interesting as the psychological deterioration. I wouldn’t be interested in going to the cinema to see somebody’s balls flaking off or haemorrhoids and stuff you know? I just wasn’t interested in that and that’s purely what it was. I just thought people aren’t interested or it would just be a wee bit too much for them. I think it’s much more interesting as a psychological thing.

How did you lighten the tone of the film from the very dark book?

There’s a lot of different tricks that you can use when you’re manipulating an audience. Performance obviously is one and humour is one and use of music. You don’t necessarily have to like someone but you have to want to follow their journey and I think that humour probably is one of the best ways. I think McAvoy just gets the balance right.

How much direction did McAvoy need?

Once he was cast he was fantastic. It was just before he was cast, we had doubts about whether he was the right guy. We rehearsed a lot but he’s a fantastic actor and a clever guy so he found it very quickly.

How did you feel about adapting the book? Were any scenes sacred? Was there anything you were intent on changing?

The two scenes that were absolutely sacred never made the film. I shot them both and they’re both on the DVD extras. One was Angus the dog and the other was the airport scene and they both made the extras on the DVD but never made the film. They were the ones that I thought were totally sacred, big set pieces. It just shows that sometimes you think it’s sacred then you put your film together and they don’t fit in there. With the tape worm it was just a case of personifying that with Dr Rossi and making it more accessible so you’re not heavily using the CGI or anything.

I think this is a rare example of a film adaptation that is better than the source novel. Were you inspired by any other adaptations when making Filth?

A very good question. I don’t know if I was inspired by any other adaptations. I think I just loved the book so much that I knew it really, really well and I just knew what I wanted to do with it. I don’t think there was anything I was inspired by. Irvine actually said to me when he first saw the film, he said “I think it’s better than the book” and that was a very humbling thing to hear from him.

Not even Danny Boyle’s adaptation of Trainspotting?

You know something, I hadn’t even read Trainspotting by the time I started writing Filth. I read Trainspotting after I wrote the script of Filth so I hadn’t read the book. So I wasn’t sure of the adaptation and what the tone had been of the book compared to the film.

Irvine Welsh has written a sort-of-sequel to Filth called Crime that follows Jamie Bell’s character Ray Lennox. What is the likelihood of you tackling an adaptation of that in the future?

Yeah I think there’s a good chance of that yeah.

Do you know when it might happen?

No mate, I really don’t know. Not soon anyway but I think in the future it will.

What can you tell us about Babylon?

Well it’s exciting because it’s working with Danny Boyle. It’s a drama with comedy as opposed to comedy-drama I think. It’s a character driven piece and a very high level of casting and production value and written by the guys who did Peep Show. So I’m doing the first three episodes and starting to shoot them next month. The pilot is on Sunday (Feb 9th 2014) at 9pm so I’m just looking forward to that. 

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Filth Review

If you thought Trainspotting’s collection of junkie scumbags were the lowest of the low, get ready to wallow around in a stinking pit of depravity that would make even Francis Begbie blush. Meet reeking cesspool of a copper Bruce Robertson (James McAvoy) and then be very, very glad you only had to see him on the big screen in Filth and not knocking at your front door with his badge in his hand.

Filth is the unsanitary and unsavoury depiction of bent Scottish cop Bruce Robertson (a never better James McAvoy), created by Irvine Welsh and adapted for the screen by writer/director Jon S. Baird. Taking tips from the mother of all Welsh adaptations, Danny Boyle’s Trainspotting, Baird has crafted a surreal and squalid trawl through Edinburgh’s underbelly starting with one of the sick scumbags who is supposed to police it.

Little piggies will squeal with delight at the whiskey guzzling, coke hoofing, sexually depraved antics of Scotland’s finest while the rest will take comfort in watching the decline of Bruce Robertson’s sordid existence as he struggles to catch a killer, gain a promotion and mess with the minds of everyone unfortunate enough to be close to him.

Checking out the wild life of Robertson as he plays his nefarious games with colleagues, their wives and his freemason friend takes up the majority of Filth’s first hour. A pivotal scene in which Imogen Poot’s more-than-simply-posh-totty colleague gets under his terrible skin reveals the layers beneath the dirt with McAvoy’s performance becoming increasingly mesmerising as his character starts to really unravel in the final third.

As Robertson’s sad little life spins increasingly out of control, his wild life leads to wildlife haunting his hallucinations. Faces of those around him turn to pigs, witches and all manner of horrors as Bruce sinks faster into addiction and loses his grip on reality.

McAvoy makes an almost sympathetic anti-hero out of Bruce by the end with Baird’s script and slight alterations to the source novel making Filth a far more appealing ride than the book ever was. As Bruce flits between fun and filthy, there is plenty to laugh, wince and gasp at while some of the secondary characters such as Eddie Marsan’s Clifford Blades are the ones that should be tugging at the heart strings. However with a performance as demented, ferocious, feral and frequently fun as McAvoy’s the likes of Jamie Bell and Marsan barely get any scenes to shine out of the muck.

The supporting cast add touches of humour with buckled down Marsan particularly getting one stand out scene while raving on ecstasy but Jim Broadbent takes weird to the next level when he pops up as Bruce’s Australian shrink in increasingly surreal episodes that hammer home exposition while reminding of the superior nightmarish moments of Trainspotting.

THE VERDICT With a sensational soundtrack and putrid performance from McAvoy, Filth is far more fun than it should be. Wallow in it…                  

Certificate 18 Director John S. Baird Starring James McAvoy, Eddie Marsan, Imogen Poots, Jamie Bell, Jim Broadbent, Shirley Henderson Screenplay John S. Baird Distributor Lionsgate Running time 97 mins       

Watch the trailer:

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Upcoming Screenings: Sunshine on Leith, Filth, How I Live Now

This week is looking a bit hectic with one premiere to attend and two preview screenings. First up on Monday I am going to interview the stars and director of Sunshine On Leith, Dexter Fletcher's new film. Then on Tuesday it's James McAvoy starring dirty cop black comedy Filth and finally on Wednesday, I'm going to a free student screening of How I Live Now from director Kevin MacDonald and starring Saoirse Ronan.

The cast in attendance at the Sunshine on Leith premiere will include Jane Horrocks, Freya Mavor, Kevin Guthrie, George Mackay, Antonia Thomas and apparently special guests The Proclaimers will also be there along with director Dexter Fletcher. Booooo no Peter Mullan though. I'll be standing in the press pen interviewing the attendees for Tastic Film so hopefully you will be able to see the videos up on the Tastic Film YouTube channel soon after. 

If this film is even half as good as Fletcher's directorial debut Wild Bill, I'll be very pleased!

Here is the trailer for Sunshine on Leith:



Then on Tuesday it's off to see the adaptation of Irvine Welsh's horrible novel Filth starring James McAvoy as a despicable copper with a tapeworm and highly dubious morals. I hated the book (from the same author as Trainspotting) but the trailer makes this look like it might actually be a bit of guilty, sick and twisted fun!



Then finally it's a young adult adaptation from awesome director Kevin MacDonald that sounds much darker than your average Twilight, Mortal Instruments or any other number of fantasy adaptations for teens. Stick with the trailer past the first 40 seconds of sunshine and laughing. When war breaks out in our recognisable reality this looks like it should get far more exciting than a bunch of CG supernatural creatures flying about the place!



Any of these take your fancy?