Showing posts with label harrison ford. Show all posts
Showing posts with label harrison ford. Show all posts

Tuesday, 15 December 2015

Star Wars: Empire Really Does Strike Back

Well I'm shocked. Until yesterday, I've always considered A New Hope to be the best Star Wars film. I refused to listen when people claimed that Empire is better, darker, funnier, whatever. But now I've seen the light. Nope, now I've seen the dark (side). Empire is the best film in the saga, without a doubt. I'm sorry I ever doubted the true believers.

Part of the reason for my change of heart is that A New Hope is a little bit tainted when you watch it straight after Revenge of the Sith. Perhaps that's my fault. Perhaps it's old George's. I'm not hear to muck rake. I've done enough of that already with the prequels.

Whereas A New Hope's showdown between Obi-Wan and Vader is all a little anti-climactic after watching young Anakin burn half to death on a volcanic planet, Empire's Luke vs Vader showdown is still epic. And also, A New Hope leaves you crying out for more. It may have quite a nice self-contained story, but it left so much unexplored and Empire goes deeper and darker and is all the better for it.

One of the reasons I didn't watch Empire all the way through until I was about 15, even though I grew up watching A New Hope on video frequently, is that as a child I had the attention span of a fish. I used to only watch Die Hard from the moment the terrorists took over the building. The stuff before: boooooring! I'd fast forward through loads of films just to get to the first major turning point in the scripts.

I still find the stuff on Hoth a little boring. Is it just me? Luke out in the snow goes on and on. I feel like it's filler. Even the battle with the Empire and the AT-AT's is drawn out too much for my liking. It's only the stuff between Han and Leia that really pops. You can tell the screenplay is written by someone else other than Mr Lucas. The dialogue fizzes and the performances are way sparkier than before. It pleases me no end that Empire co-screenwriter Lawrence Kasdan is involved with The Force Awakens. Ford and Fisher have great chemistry and to be honest, I could have done with a lot more of this than watching Luke piss about in the snow.


To top it all off, there's this wonderful bit of family-friendly incest. It makes me wonder how important incest is to making a box office success. With Back to the Future and this, there's definitely something funny going on and I'm sure Freud would have loved to have been around to see these films. Look at the way Chewbacca and C-3PO are looking on. I guess as they were in the prequels, they might actually know just how wrong this is. Perhaps they could have mentioned it to someone.


Abrams has clearly been taking notes from Empire. As soon as I saw this shot, I thought of good old fanboy Kylo Ren in the Force Awakens trailer. Which leads me to wonder, is Abrams making some kind of point about Star Wars fans by having Kylo Ren obsessed with Vader? Have all the fans turned to the dark side? Have we all been corrupted and lured into being horrible about the prequels, because our obsessive fandom has started to warp our fragile little minds? Probably not.


Empire is also where we start to get these wonderfully brief bits of backstory starting to emerge about dear old Darth Vader. We see a glimpse of him without the helmet, we meet the Emperor and hear of Anakin Skywalker. Vader is being transformed from a plastic action figure into a damaged human being before our very eyes. Of course, the prequels have sucked any mystery out of this backstory now and ruined the big reveal, but it's still news to Luke and that's kind of all that matters.



Luke and Kermit have a great time on Dagobah, which is so brilliantly crafted and a thousand times more believable as a place than any of those CGI cities in the prequels, that you wish Lucas had just dreamed a little smaller sometimes. It's great to see that after the events of the prequel trilogy and spending 20 years in a swamp that Yoda has developed a sense of humour. He's so serious in the prequels that it's easy to forget that he's almost as fun as Kermit the Frog in Empire. He sounds younger and happier than ever before which is a little strange, but the puppetry makes him appear older than the CGI pinball-version in the prequels. Dagobah goes on a bit too, but next week I'll probably be complaining that The Force Awakens is too fast-paced so don't listen to me.


It's also great to spend a bit more time with Chewie in Empire. He's so expressive and so watchable. Peter Mayhew does a great job beneath the costume and Ben Burtt's sound design is just beyond words. I could go on about this at some length, but we all know just how important Burtt's work is on Star Wars. In terms of characters though, what he has done with R2 and Chewie is just incredible. If anything happens to Chewie in The Force Awakens, there will be tears I can tell you.


Anyway, let's move on swiftly before I star blubbering. Then we get into the whole Lando double-cross and reversal before Empire takes its rightful place in cinematic history. Forget all that stuff with Boba Fett and his new Kiwi accent. It's when Han delivers his iconic improvised comeback to Leia that Empire cements itself in the hearts of fans across the world. It's what boys across the globe have probably tried to imitate with their girlfriends a thousand times, most often to receive a resounding slap or the sight of their partner welling up suddenly. Only Solo gets away with a line like that fellas.


With so much iconic imagery in the saga so far, it's hard to imagine how it could be topped, but Empire manages it with ease. The duel between Luke and Vader takes place on two fantastic sets, beautifully lit and perfectly complemented by the sound of Vader's breathing and the sabers clashing. It is of course aided by the poignancy of Anakin trying to get his son to join him and Luke's stubborn refusal. The stakes are so high because we know damn well Luke isn't ready for this, so it's gripping stuff, no matter how many times you've watched it before. Just look at these images. Good luck topping this J.J.




Another hand is lopped off, Han is frozen in carbonite and Luke and Leia are left with their arms around each other like they might still get it on. It really is a dark place to leave it, but that's exactly what they did. I wonder what it was like back in the early 80s to have to wait three years to see how this story ended. AND without the internet to constantly keep updating you with who is on set, where they're filming, what time Harrison Ford takes a poop in the morning etc.

Also, one final thought. After quite a lot of C-3PO being carried around on Chewie's back in the film, I wonder if C-3PO would have been considered the original trilogy's Jar Jar if it had been released at the end of the far more cynical 90s. He certainly annoyed the piss out of me.


The Highs and Lows of Star Wars: The Phantom Menace

Attacking Star Wars: Attack of the Clones

The Sith Hits the Fan: Revenge of the Sith

Star Wars: The Original and Still the Best?

Sunday, 27 October 2013

Ender's Game Review

I wonder if Ender's Game is what George Melies imagined science fiction cinema would become one day in the future. Hugo's George Melies Sir Ben Kinglsey reunites with Hugo himself Asa Butterfield in this frequently spectacular voyage into space that sees a young boy trained for command in a war against a deadly alien race.

It is light years ahead of Melies stop/start special effects and contains contemporary relevance that has clearly not been lost even though the book it is adapted from is nearly 30 years old. After Earth is attacked by a huge swarm of aliens, the population of the planet is decimated then swiftly saved by the sacrifice of one great warrior. Humans, including Harrison Ford's gruff Colonel Graff, are not about to let another massacre occur again should the 'evil' alien race return and so for some dubious and far too quickly explained reason, have decided to train children into warriors to tackle the threat.


It seems an implausible set up and the future Earth is brusquely brushed over in order to get the action into space. Ender Wiggin (Butterfield) is a bullied kid who beats the crap out of another kid to ensure the bully never picks on him again. That's all it takes for Harrison Ford to think Ender is the next John Connor, great military leader and saviour of the planet. So off to space they go for a film about training kids in future space warfare and zero gravity shoot outs.

Ender quickly rises in the ranks and becomes a commander of the other kids in their space training facility. He forms some bonds, particularly with Hailee Steinfeld's Petra and also makes a few enemies. All the while Harrison Ford and Viola Davis (as some kind of psychologist) battle for Ender's soul, Ford wanting him to become a heartless killer and Davis concerned that Ender will be pushed too far.


The training scenes zip along but amount to little and it is never really clear why Ender is the chosen one. What makes Ender's Game a must see for gung-ho let's go to war and nuke the bastards types is the bleak message it pounces on the audience at the end. The politics of heroics are replaced by sacrifice, shame and genocide as Ender learns the true cost of war. However, then the producers and writer/director Gavin Hood clearly get a bit nervous about such a downbeat ending so they attach a pointless grab for a more hopeful sequel.

Nevertheless Ender's Game makes up for an occasionally clunky script with some impressive spectacle and weighty themes that lift it slightly above the average soulless science fiction extravaganza.

Check out my videos from the Ender's Game Q&A in London:













More on Ender's Game:

Ender's Game Q and A with Harrison Ford, Ben Kingsley, Asa Butterfield, Hailee SteinFeld and Gavin Hood

More reviews at I Love That Film:

Sunshine on Leith Review

How I Live Now

Filth

The Call

Rush

The Lone Ranger

You're Next

We're the Millers

2 Guns

Monday, 7 October 2013

Ender's Game Q and A with Harrison Ford, Ben Kingsley, Asa Butterfield, Hailee SteinFeld and Gavin Hood



Ahead of the release of Gavin Hood's sci-fi epic Ender's Game, the stars were in London's Leicester Square for a Q&A event and to share some clips from the film with a huge crowd of expectant fans. After screening the trailer and two clips from the film released on October 25th, the stars took to the stage to answer questions from fans.


It got off to a rocky start with some unexpected delays but finally producers Bob Orci, Gigi Pritzker, stars Sir Ben Kingsley, Asa Butterfield, Harrison Ford, Hailee Steinfeld and director Gavin Hood took their seats to much applause. Harrison Ford appeared to be in a good mood, if a little slow sadly these days as he speaks and thinks. Sir Ben spoke at length about his character while Asa Butterfield also had plenty to say on his experience of making the film. While Steinfeld was quiet, she was charming whenever she spoke. Director Gavin Hood and the producers all demonstrated their passion for the film and the book it was based on.


Nothing was mentioned on the whole Orson Scott Card homophobic controversy unfortunately as I would have been interested to see what would have been said on it. I completely understand people wanting to boycott this movie if you feel strongly about what Card has said in the past but on  the other hand, whether the guy is homophobic or not makes no difference to his talent as a writer. It's difficult as I don't want to make the guy even richer or give his views any more publicity but I think the film looks interesting and I hope it has some important points to make about war.


The book is nearly 30 years old and seems to have been very prescient. Gavin Hood gave us Tsotsi and adapted Card's much loved book for the screen. Producer Gigi Pritzker has been trying to get the film made since buying the rights 13 years ago so it's been a pretty epic struggle to get it made. Along with Butterfield, Steinfeld and the big guns Sir Ben and Mr Ford, the film also stars Little Miss Sunshine's Abigail Breslin and The Help's Viola Davis.


It could be Starship Troopers without the satire or it could be a serious Independence Day with added moral ambiguity and complex themes about the ethics of war. Either way it was an interesting Q&A and I hope you will check out my videos from the event below and at the bottom is the trailer:

Harrison Ford on Special effects from Star Wars to Ender's Game:



Ben Kingsley, Asa Butterfield and Gavin Hood on Ender's Game adaptation



Hailee Steinfeld on Ender's Game characters




Director Gavin Hood talks casting Ender's Game




Ben Kingsley discusses his character in Ender's Game




Asa Butterfield & Harrison Ford talk Ender's Game