Showing posts with label cannibal holocaust. Show all posts
Showing posts with label cannibal holocaust. Show all posts

Tuesday, 8 December 2015

Top 10 Found Footage Horror Films



Found footage horror is a much-maligned sub-genre but with more and more of these films appearing in cinemas every year, there seems to be no sign of the technique running out of tape anytime soon.  Recent efforts have taken the horror out of found footage with the superhero themed Chronicle and partying teens of Project X but horror is still very much at the heart of the genre (just ask anyone who sat through Project X).  There may be more straight-to-DVD offerings than you could point a shaky camera at but the films that use the found footage aesthetic well, and in interesting and often new and exciting ways can be hugely profitable and offer audiences a unique and immersive thrill like few other horror films. Time to dust off those lost tapes and take a look at the best found footage horror films of all time.

10. TrollHunter (2010)

You’ll believe it when you see it ran the tagline for this Norwegian found footage oddity. Not quite, but the sight of giant trolls tearing through the countryside is made slightly more believable by the clever mythology and handheld camerawork of the documentary crew that decides to follow the titular troll hunter. On a low budget, director André Øvredal has his characters capture the fantastical sight of these awe-inspiring but ugly creatures as they attempt to make a documentary about Otto Jespersen’s grouchy Hans. Many argued the mock-doc format was getting old and stale by this point but the blend of impressive visual effects to create the trolls and the well-judged moments of comedy made up for the lack of genuine horror and left many with the feeling that there was life in the found footage film yet.


9. Diary of the Dead (2007)

George A. Romero’s second return to the original ‘Dead’ trilogy after Land of the Dead follows film students as they capture the beginnings of the zombie apocalypse. Using a range of found footage from news reports to webcams and videos uploaded to MySpace (remember that?), Diary of the Dead is a typical Romero film with plenty of blood, guts and subtext. With so many characters with cameras, it gives all new meaning to the idea of shooting the dead. There are also some great little additions to the found footage format with a scene where a character is filming while charging his camera at a plug socket and is therefore limited in his movements as zombies close in on him.  Romero seems to bemoan the rise of bloggers and vloggers taking over the airwaves as the mainstream media crumbles during the apocalypse. The jumbled transmissions of thousands of people with access to sharing their thoughts over the internet are more of a concern than the traditional shuffling zombies.


8. REC 2 (2009)

The only sequel on this list is a deserved entry into the found footage sub-genre with cops with helmet cameras attempting to survive in an apartment block full of repossessed zombies.  Following from its predecessor, the squad enters the quarantined Barcelonan apartment block to find more rabid, rapid zombies sprinting manically around the claustrophobic confines and we get front row seats, positioned as we are on the helmets of our heroes. It’s a mad rollercoaster ride of a film and just when the action seems like it might get a bit repetitive, we switch to seeing from the point-of-view of the camera of a group of kids who have made the fatal mistake of also entering the possessed residence.  Taking the story further than the first film and adding to the mythology can’t hide the fact that there is nothing that can compare to the terrifying final scene of the first film. But if you want the cinematic equivalent of a first-person shooter game like Doom, look no further!


7. Man Bites Dog (1992)

Ever wanted to get under the skin of a sociopath killer; find out what makes him tick, what he does in his down time between random slayings and the odd bit of rape? Well meet Ben, part time thief, full time psycho. A film crew follows him around as he robs, kills and rambles on and on about art, music and society. It soon becomes apparent that this film crew is becoming more than just documentary makers as they become embroiled deeper and more explicitly in Ben’s crimes. The line between watching and participating becomes increasingly blurred, implicating you in the audience as you keep watching this most realistic of Belgian mock-docs. Don’t be fooled by Ben’s apparently amiable nature, this is one sick puppy that bites as much as he barks.


6. Paranormal Activity (2007)

Arguably more influential than the number one film on this list, a couple of suburbanites Katie and Micah fall foul of a poltergeist/demon as creepy occurrences are caught on tape by Micah’s trusty camcorder. Bedroom antics are filmed for scares, not pleasure, as the nights get tenser with an unwanted entity attacking the pair in their bed. Filmed on a tiny budget and distributed by DreamWorks, this reminded young and poor filmmakers what could be achieved by the found footage horror genre when it’s done right. It started the biggest found footage franchise, out-grossing (but not grossing out) the Saw sequels and only just seems to have wrapped up with the (supposedly) final film in 2015.


5. Cannibal Holocaust (1980)

Banned until recently, this is easily one of the sickest, most despicable films you will ever see. So realistic the director was nearly tried for murder, Ruggero Deodato eventually had to bring his cast out of hiding to face the media so that the authorities would really believe he hadn’t killed them. How could a film be this realistic? Well, this is where found footage really began. After a team of morally challenged documentary makers disappear in the Amazon, their footage is later recovered. What the rolls of film reveal is that the local tribes didn’t take too kindly to having their homes destroyed by the documentary makers who were craving a bit of sensationalism. The inclusion of real scenes of animal cruelty makes this extremely hard to watch and deeply disturbing but if that doesn’t upset you enough, try the grueling and realistic depictions of abortion, rape and castration. That should do it.


4. Cloverfield (2008)

When a giant rampaging beast (think Godzilla but scarier) hits the streets of New York, ruining the leaving party of young professional Rob, his best friend Hud decides to document the night on camcorder. Taking the imagery of 9/11 - crumbling buildings, severed landmarks, dusty streets and a city in panic – and keeping the amateur aesthetic of so many 9/11 YouTube videos is exploitative but incredibly exciting. Director Matt Reeves (Let Me In) and writer Drew Goddard (The Cabin in the Woods) care little for the flimsy characters but Hud’s cinematography mixed with the destructive power of a truly awesome monster keeps you on the edge of your seat until the explosive climax.


3. REC (2007)

A TV presenter and her camera operator get more thrills than they bargained for when they follow a crew of firefighters into a zombie infested Barcelonan apartment block.  Quickly quarantined by the authorities, the fire crew and the presenter must work with the residents in order to stay alive while the camera operator keeps filming. These aren’t the shuffling zombies of Romero’s films; these are the speedy, terrifying zombies of modern horror. Think 28 Days Later but all shot by one of the characters in the story and all trapped in one claustrophobic location. The final scene filmed in total darkness with only the night vision camera allowing the characters to see is one of the tensest and scariest things you will ever witness.


2. Zero Day (2003)

Based on actual tapes created by the Columbine high school killers, two teenage boys create video diaries capturing their preparation for a school shooting massacre. The footage they produce is a scary, fascinating portrait of the banality of evil. These two kids are close friends, a little introverted and insular but pretty normal. But they are planning an unspeakable crime and are documenting their thoughts and actions as they prepare for their big day. It’s a worrying insight into how two seemingly normal teenagers can deceive the world and consider committing a terrifying act without a care for the consequences. Switching from their own camcorder captured footage to the CCTV in their school for the final scene, it’s a bleak, chilling reenactment of a frighteningly real phenomena. 


1. The Blair Witch Project (1999)

In October of 1994 three student filmmakers went down to the woods near Burkittsville, Maryland, while shooting a documentary… the rest is cinematic history. Heather, Mike and Josh get lost, hungry and scared in their quest to get to the bottom of the Blair Witch mythology. Roaming in circles with no way out of the woods, they are surrounded by strange noises in the night as they try to sleep.  Then objects appear outside their tents, the sound of distant children crying wakes them and then one of the students disappears. Though the witch might never be seen, less is definitely more in this most influential of found footage films. The actors really shot the film themselves and with the directors only giving minor instructions and the actors’ genuine hunger, frustration and fear burn through the screen. One of the scariest films ever made. Please consider buying a copy of my book on The Blair Witch Project here.


5 others to find if you’re not feeling sick of shaky-cam action:

Paranormal Entity 2 a.k.a Gacy House (2010) See this if you loved Paranormal Activity.
The Magician (2005) See this if you loved Man Bites Dog.
Exhibit A (2007) See this is you loved Zero Day.

The Last Exorcism (2010) See this if you loved REC 2.

The Last Broadcast (1998) See this if you loved The Blair Witch Project.

Tuesday, 18 November 2014

My first academic paper: Cine-Excess Conference 2014

On Friday I gave my first academic paper at the Cine-Excess conference at the University of Brighton. My paper was titled Shooting Backwoods: Footage Found in Rural Locations and was a part of the first panel of the weekend, titled Borders, Backwoods and Spatial States of Terror. I was joined by David Lerner, Sara Reininghaus and Stephen Curtis on this panel.

The theme of the whole conference this year was Are You Ready for the Country: Cult Cinema and Rural Excess. Seeing as I'm nearly four years through my part time PhD, I thought it about time I bit the bullet and tried to get myself talking at one of these conferences and as I'd been to Cine-Excess back in 2011 to meet Ruggero Deodato, I thought I'd give in an abstract and see if I got a response.


And I did! So here is the abstract. I'm doubt I'm supposed to publish the whole paper here but if Cine-Excess decide not to use it in their journal, then I will at a later date.




Shooting Backwoods: Footage Found in Rural Locations

What happens when Western filmmakers head off with their modern technology, into the woods and jungles of the world to record something more primitive and vicious than they could ever imagine? Films from Cannibal Holocaust (Deodato, 1980) to Willow Creek (Goldthwait, 2013) explore how supposedly civilised characters set out to film the unknown in rural spaces. Too late do the characters discover that they have become the subjects of their own audio visual documents as they are terrorised and finally disappear. The primal forces that attack them range from supernatural beings such as witches to savage tribal cannibals but all share an archaic relationship with the rural settings that they inhabit.


Found footage films have flooded the horror genre in recent years and despite the popularity of the suburban home settings of the Paranormal Activity (2007- date) franchise, many investigate ideas of culture clashes between the urban filmmakers and their rural subjects. Leading on from theoretical work surrounding Cannibal Holocaust and The Blair Witch Project (Myrick and Sanchez, 1999), I will analyse how the diegetic-camera-wielding characters and the foes they face in Welcome to the Jungle (Hensleigh, 2007), Trollhunter (Ovredal, 2010), Evidence (Howie Askins, 2011), and Willow Creek are dramatising contemporary anxieties over the failure of modern technologies (and Western youth) in tackling ‘primitive’ enemies. 


My findings will demonstrate that found footage films often take place in rural settings due to their central themes of control, dominance and superiority. The characters’ mastery of their technology is of little help to them when they are faced with the rural threats of the woods and jungles that they venture into. Exploring the aesthetic properties as well as the representation of youth, gender and race in these films will make this paper critical in furthering discourse on both the horror genre and more specifically the contemporary contextual relevance of found footage films.
 
More academic stuff from I Love That Film:

Referenced in a book on Found Footage Horror

Buy my book on The Blair Witch Project

My Blair Witch book just got a cover

Becoming a Found Footage Horror Expert: Media Interview

Alone With Her and Behind the Mask: Interesting Found Footage

The Lost Coast Tapes: Bigfoot Found Footage

The Making of The Blair Witch Project

Evidence of Good Found Footage

The Femme Castratrice in Horror

Thursday, 9 May 2013

Becoming a Found Footage Horror Expert: Media Interview

Have you ever been interviewed for TV or radio? I've done a couple of bits and pieces in the past but never have I been called as an expert to discuss something that I am supposed to know a lot about. As part of my training for my PhD on found footage horror movies, Oxford Brookes University put on a media training workshop.

The idea of the workshop is to prepare academic students for being approached by the media and specifically journalists looking for an expert on a particular subject. We had to consider what exactly about our research might make an interesting story and what specific aspects of our findings would interest journalists.

Usually in these training workshops I sit very silently at the back, hoping that no one will ask me what my research is on. Usually the other PhD students in attendance are doing amazing research that will no doubt help the world in some huge and brilliant way. Then there's me and I have to talk about found footage movies. It gets a bit embarrassing when people are doing such incredible research into things that really really matter and could change lives. I usually come away feeling a bit depressed and useless.

The other thing I find very difficult is talking in an academic way, using all the fancy language and articulating my thoughts in a professional and intelligent way. I'm much better at writing than talking but I'm not a natural academic that's for sure!

But in this session run by Tim and Lily from media players international, we were encouraged to not use overly complex and detailed language and to be able to speak simply and plainly about our research. The idea is that we are communicating with a mass audience who know next to nothing about what we are talking about and we have to simplify and explain and keep to the point of the story.

We got loads of great tips from Tim and Lily and the whole day culminated in a couple of mock interviews. Lily had prepared questions to ask me as if she was a journalist interested in my studies. They were very interesting questions and she's clearly done her research which made the interviews really fun!

I'm not even going to go in to how much I hate the silly facial expressions I pull but overall I think I did ok at talking about my research in a very basic and easy to understand and (hopefully) vaguely interesting way. Please give them a watch and let me know what you think! Please be gentle though!




Tuesday, 10 July 2012

Finding the Fun in Found Footage

Please go and take a moment to check out my first article for Boolean Flix all about why you shouldn't hate on the found footage fad in modern horror!  Let me know what you think either here or over at Boolean Flix.


Wednesday, 23 November 2011

Characters With Cameras


      Found footage from dead filmmakers, 'home' movies capturing domestic disturbances, documentary makers way out of their depth, crimes caught on CCTV  and helmet-mounted cameras on cops investigating a zombie outbreak.  

      There is a massive trend in horror to have characters in the films holding or in charge of setting up the cameras.  From Cannibal Holocaust, The Blair Witch Project and Rec's documentary makers to the camcorder captured horrors of Cloverfield and Paranormal Activity, horror characters are increasingly the 'makers' of the film the audience sees.

      As part of my PhD, I am exploring this horror trend.  Some people hate these films; their shaky camera, predictable endings, annoying repetition of conventional elements and characters that refuse to stop filming no matter what they are faced with.

      But many others (and just look at the box office figures of some) love these films.  Why?  Well that's what I'm trying to figure out.  

      Is it just the increased realism?  If so why is something 'captured on camera' more real than a traditional film?
      Is it a reflection of modern society and how so much of what we see is mediated by cameras?  
      Is it some kind of cathartic desire to see 'real' footage made by people so stunned by extraordinary events like the so many hours and hours of footage that were uploaded by amateurs after 9/11?  
      Do we identify more with characters if we see the whole film from their point of view?
      Is it more scary to see characters losing control behind the camera than in front of it?
      Is this trend a low-budget reaction to the 'show everything' gore-splashed higher budget trend in horror known as 'torture porn'; e.g. the Saw/Hostel franchises?
      Are audiences more willing to accept amateur camera work due to reality TV, mobile phone footage on the news, YouTube videos etc?

      There are numerous conventional elements to these films; the shaky handheld camera, poor visual/audio quality, the death of the protagonists, setting up the camera on a tripod to capture things that go bump in the night, using night vision or a light on the camera to see in the dark.  Some but not all include these conventions.  The camera is often visible (in mirrors, in the footage of another camera) and discussed by the characters.  They often question why the operator is still filming under the circumstances and so the camera is continually drawn to the viewer's attention.

      Here is a list of films that feature a camera supposedly being operated or that has been set up by a character within the world of the film.  The yellow highlighted films are ones I have yet to find/see and the green ones are sequels, remakes or ones that do not fit quite as easily into this trend of modern horror.

1.       Cannibal Holocaust (Deodato, 1980
2.       Man Bites Dog (Belvaux, Bonzel and Poelvoorde, 1992)
3.       The Last Broadcast (Avalos and Weiler, 1998)
4.       The Blair Witch Project (Myrick and Sanchez, 1999)
5.       August Underground (Vogel, 2001)
6.       My Little Eye (Evans, 2002)
7.       The Last Horror Movie (Richards, 2003)
8.       Zero Day (Coccio, 2003)
9.       Incident at Loch Ness (Penn, UK, 2004)
10.   The Magician (Ryan, 2005)
11.   Snuff Movie (Rose, 2005)
12.   Alone with Her (Nicholas, 2006)
13.   The Zombie Diaries (Bartlett and Gates, 2006)
14.   Behind The Mask: The Rise of Leslie Vernon (Glosserman, 2006)
15.   S&man (Petty, 2006)
16.   Exhibit A (Dom Rotheroe, 2007)   
17.   Rec (Balaguero and Plaza, 2007)
18.   Diary of the Dead (Romero, 2007)
19.   Paranormal Activity (Peli, 2007)
20.   The Poughkeepsie Tapes (Dowdle, 2007)
21.   Welcome to the Jungle (Hensleigh, 2007)
22.   Home Movie (Christopher Denham, 2008)
23.   Quarantine (Dowdle, 2008)
24.   Cloverfield (Reeves, 2008)
25.   Resurrecting the Street Walker (Uyanik, 2009)
26.   Rec 2 (Balaguero and Plaza, 2009)
27.   Paranormal Entity (Van Dyke, 2009)
28.   Atrocious (Fernando Barreda Luna, 2010)
29.   The Last Exorcism (Stamm, 2010)
30.   Paranormal Activity 2 (Williams, 2010)
31.   TrollHunter (Ovredal, 2010)
32.   The Tapes (Lee Alliston, Scott Bates, 2011)
33.   Apollo 18 (Gonzalo Lopez-Gallego, 2011)
34.   World of the Dead: The Zombie Diaries (Bartlett and Gates, 2011)
35.   The Tunnel (Ledesma, 2011) http://www.imdb.com/title/tt1735485/
36.   Hollow (Michael Axelgaard, 2011) http://www.imdb.com/title/tt1869470/
37.   Paranormal Activity 3 (Henry Joost, Arial Schulman, 2011)

      If you know of any others please let me know as I am always on the look out for more.  If you have any thoughts about these films, please comment and let me know.  Love them or hate them, they don't seem to be slowing down production of this type of film so tell me why you think they are so popular.  What is it you hate about them?  What is it you love about them?

Thursday, 26 May 2011

Ban this sick filth!

Off to a conference in London today to see Ruggero Deodato, director of gob-smackingly sick and twisted Cannibal Holocaust, argue/debate with the BBFC about censorship and show off a premiere of a brand-new cut of his masterpiece/bucket of squalid filth. So... real animal cruelty, forced abortion, rape, horrific punishment for rape... you name it, this films got it!

Some films just go too far don't they? But what is too far? Irreversible's 10 minute single shot rape scene? A Serbian Film and any of the joys contained within? Salo and 120 Days of Sodom? I could go on but I've got a conference to go to. I will return....