Showing posts with label british. Show all posts
Showing posts with label british. Show all posts

Saturday, 4 March 2017

Trespass Against Us Review

One of my favourite films of the London Film Festival 2016 is released in UK cinemas this weekend. Here's a snippet of my review of Trespass Against Us which stars Michael Fassbender and Brendan Gleeson.


With its frequent references to Christianity, it's unsurprising to find a holy trinity of perfect performances at the heart of Trespass Against Us. A towering Brendan Gleeson plays domineering father to reluctant criminal Chad (Michael Fassbender), who is hoping for a better life for his own son Tyson (Georgie Smith). As three generations of the Cutler family, Gleeson, Fassbender and Smith are a force to be reckoned with in this exceptional crime drama.
 
The caravan-dwelling Cutlers commit robberies and clash with the police constantly, led by Rory Kinnear’s P.C. Lovage. Chad and his wife Kelly (Lyndsey Marshal, also excellent) want out of the criminal life, attempting to get a secure home and keep their two children in school. But Gleeson’s ‘Pa’ Cole has other ideas, pushing Chad into a heist that will bring down the full force of the law upon them all. Like the doomed kids of American ghetto movies, Chad finds himself torn between the life he has been born and raised into where criminality is an everyday occurrence, and another life where he may only find disappointment and prejudice...


Here's the trailer:


 

Sunday, 19 February 2017

Prevenge Review

Prevenge is out in cinemas as we speak. No doubt it will be available in other formats very soon as I don't think it is getting a very wide release. If you're thinking about watching it in a London cinema this week, or you are reading this at some undisclosed point in the future and considering watching the DVD, then check out my review below from the London Film Festival...


Alice Lowe writes, directs and stars as the pregnant Ruth, mourning the man who got her knocked up and hell bent on taking some revenge on the people she considers responsible for her lover’s death. While the baby girl inside her eggs her on by talking to Ruth and urging her to kill, Ruth must balance the ordinary challenges of pregnancy, while simultaneously ticking off names on her kill list and taking out anyone who gets in her way.

Prevenge plays on every mother’s fears of bringing a baby into the world. While Lowe was really pregnant as she took on the lead role, she might have poured out her major concerns about the world around her, but she still maintains a wicked sense of humour. Prevenge is a slasher film with a pitch black sense of humour, finding the mirth in murder and undercutting expectations of what society expects of a pregnant woman at every opportunity.


Here's the trailer:


Tuesday, 21 June 2016

Remainder Review

If you like your films a little out of the ordinary, then give Independence Day: Resurgence a miss this weekend and see if you can find a cinema playing Remainder instead. Think Donnie Darko meets Synecdoche, New York and you might be getting an idea of what an oddball little film this is.


Here's a snippet of my review from last year's London Film Festival:

Rushing through a city and pulling a black case behind him, an unnamed man (Tom Sturridge) is hit by falling debris from the sky. After awaking from a coma and going through extensive rehabilitation, he discovers that he has been awarded with £8.5 million to keep quiet about the incident. He is plagued by strange visions of a building, a boy, an old woman and some cats on a roof, and decides to hunt down these elements in order to piece together the fragmented puzzle forming in his head. His recreations are handled by helper Naz and become more elaborate, including eventually the staging of a bank robbery.

Sturridge's character becomes like a filmmaker, manipulating and directing these recreations from his mind, while an ever-expanding roster of 'actors' are employed to carry out the actions and scripts that he envisions. The surreal nature of his visions means he must dress extras in morph suits, have people repetitively play Chopin in the same building and an old lady constantly cook liver so that the smell will waft up to his apartment. He is obsessive in capturing the detail, repeating the process over and over again to the befuddlement of all others involved...


Here's the trailer:


More reviews from I Love That Film:

 The Measure of a Man
The Conjuring 2
Mon Roi
Green Room
Son of Saul
Louder Than Bombs

Thursday, 7 January 2016

BAFTA Nominations 2016

The nominees for the BAFTAs were announced by Stephen Fry and Gugu Mbatha-Raw on 7th January.

There are 38 films nominated in total.

Here are the nominees with the winners in bold and underlined!

Best Film
  The Big Short
Bridge of Spies
The Revenant
Carol
Spotlight

Original Screenplay

Bridge of Spies
Ex Machina
The Hateful Eight
Inside Out
Spotlight

Adapted Screenplay

Room
Steve Jobs 
Brooklyn
Carol
The Big Short

Director

The Big Short - Adam McKay
Bridge of Spies - Steven Spielberg
Carol - Todd Haynes
The Martian - Ridley Scott
The Revenant - Alejandro González Iñárritu

Actor

Bryan Cranston - Trumbo
Eddie Redmayne - The Danish Girl
Leonardo Dicaprio - The Revenant
Matt Damon - The Martian
Michael Fassbender - Steve Jobs 

Actress

Alicia Vikander - The Danish Girl
Brie Larson - Room
Cate Blanchett - Carol
Maggie Smith - The Lady in the Van
Saoirse Ronan - Brooklyn

Outstanding British film

45 Years
Amy
The Danish Girl
The Lobster
Ex Machina
Brooklyn

Supporting Actress

Alicia Vikander - Ex Machina
Jennifer Jason Leigh - The Hateful Eight
Judy Waters - Brooklyn
Kate Winslet - Steve Jobs 
Rooney Mara - Carol

Supporting Actor

Benicio Del Toro - Sicario

Christian Bale- The Big Short
Idris Elba - Beasts of No Nation
Mark Ruffalo - Spotlight
Mark Rylance - Bridge of Spies

Rising Star Award

John Boyega
Taron Egerton
Dakota Johnson
Brie Larson
Bel Powley

Film not in the English Language

The Assassin
Force Majeure
Theeb
Timbuktu 
Wild Tales (Relatos Salvajes)

Animated Film

Inside Out
Minions
Shaun the Sheep

Thursday, 24 December 2015

28 Days Later: In the House, In a Heartbeat



London is a hectic place. Normally filled with more traffic and pedestrians than seems humanly possible, people crammed this close together tend to get edgy. What if a terrifying virus got unleashed that turns the inhabitants of the UK into rage fuelled running zombie monsters known as the ‘infected’? Before imagining the UK as a green and pleasant isle of wonder for the opening ceremony of the London Olympics, Danny Boyle cleared the streets of London to envisage a truly shocking zombie apocalypse.


Recently roused from a coma, bicycle courier Jim (Cillian Murphy) checks himself out of a deserted hospital and finds London completely empty. The bustle of the city is dead, left only with an eerie stillness. This is what London will look like when the apocalypse comes. Desolate, forsaken and forgotten. The survivors are hiding out of sight. The Infected appear from nowhere like rabid dogs intent only on attack. The film later has Jim and other survivors shop in empty supermarkets and travel down empty motorways all in search of an army base that promises hope. But when the world goes to hell, is it really the army we should be turning to for help?

John Murphy’s entire soundtrack is a master class in atmospheric horror scoring, but as all hell breaks loose at the climax of 28 Days Later, his In the House, In a Heartbeat climbs to an explosive crescendo over six minutes of beautifully shot, visceral violence. 


Our three surviving characters (a man, a woman and a teen girl) have dodged death at the hands of rage infected super-zombies, only to find themselves in the ‘safety’ of an army base populated by aggressive male soldiers who have a scary attitude to women.

As hero Jim escapes the soldiers’ clutches and begins a rage-fuelled rampage with the help of some unleashed Infected, Murphy’s music builds and builds; quiet and calm at first with just two piano notes, then joined by mounting acoustic guitars and climaxing with drums crashing, electric guitar pounding and the visuals on screen becoming more and more terrifying as the deadly mixture of frightened soldiers, vicious Infected and one angry protagonist face off in the confines of the dark mansion. This is music to gouge out eyes to.

Listen:

Tuesday, 3 November 2015

The British Independent Film Award Nominations Are In!

The winners of the British Independent Film Awards will be announced in a ceremony to be held on December 6 in the Old Billingsgate in London.

The nominations were announced today with The Lobster, Macbeth and Suffragette all leading the charge. I've put who I'd like to win so far in bold, but there's quite a few films that I have yet to see on this list including 45 Years, Brooklyn and The Danish Girl so things could change before the awards. Please click any of the titles of the films I have seen for my full reviews.

UPDATE: Winners are now written in large!

Here is the complete list:


Best Actor:

  • Colin Farrell for The Lobster
  • Michael Fassbender for Macbeth
  • Tom Courtenay for 45 Years
  • Tom Hardy for Legend
  • Tom Hiddleston for High-Rise 
This one is really tough but Tom Hardy deserves it for tackling dual roles and for sheer entertainment value.


 Best Supporting Actor:

 I suspect I may be eating my words on this one, once I've seen Brooklyn. 

 Best Actress:

  • Alicia Vikander for The Danish Girl
  • Carey Mulligan for Suffragette
  • Charlotte Rampling for 45 Years
  • Marion Cotillard for Macbeth
  • Saoirse Ronan for Brooklyn
So far I think Mulligan deserves this, but there are three nominees on here whose performances I still need to see.

Best Supporting Actress:

Of the four performances I have seen here, Anne Marie Duff is the clear winner. Really glad to see her nominated.


 Best Director:

This is the toughest category to call. Of the four I have seen, they are all brilliant and well-deserving. I don't understand why Alex Garland isn't in the debut director category as that would make this decision easier. 

 Best Documentary:

  • Amy
  • Dark Horse: The Incredible True Story of Dream Alliance
  • How to Change the World
  • Palio
  • A Syrian Love Story
 I've only seen Amy and Palio, but it's hard to imagine a better documentary than Amy this year.


 Best Debut Director:

  • The Hallow Corin Hardy
  • Kajaki: The True Story Paul Katis
  • Nina Forever Chris Blaine, Ben Blaine
  • Slow West John Maclean
  • The Survivalist Stephen Fingleton
 I've only seen Slow West and The Survivalist, so I'd go with Stephen Fingleton for this one. 


  Best Screenplay:

 I loved Ex Machina and I haven't seen Brooklyn yet. The first half of The Lobster would also be a very worthy winner, but perhaps not the second half. Not sure you can give half a film an award though.


 Best British Independent Film:

Now I think I'm becoming a bit too predictable, but until I see Brooklyn, there is no competition.


 Most Promising Newcomer:

 I've only seen The Survivalist and A Royal Night Out, so again, I stand with Fingleton!


Producer of the Year:

I've only seen Amy and The Lobster, but I suspect Amy was probably the trickier film to get made and a bigger achievement.


 Outstanding Achievement in Craft:

  • Editing - Chris King for Amy
  • Casting - Fiona Weir for Brooklyn
  • Production Design - Mark Digby for Ex Machina 
  • VFX - Andrew Whitehurst for Ex Machina 
  • Cinematography - Adam Arkapaw for Macbeth 
Another incredibly tough category. Macbeth's cinematography, Amy's editing and both the VFX and production design for Ex Machina are all top-notch. Very hard to call.


The Discovery Award:

  • Aaaaaaaah!
  • Burn Burn Burn
  • Orion: The Man Who Would Be King
  • The Return
  • Winter
 This is my category of shame. Not seen a single one of these.


 Best British Short:

  • Balcony
  • Crack
  • Edmond
  • Love Is Blind
  • MANoMAN
 Another category of shame. 


 Best International Independent Film:

Really hope Son of Saul gets this but I doubt it has a chance against Carol.

What do you think of the nominees? 

Tuesday, 24 February 2015

Best British Films of 2014

I've been dragging my feet about making this list because I wanted to write a little something about each film. It seems that I am just never going to have the time to do this properly though, so instead I'm just going to plunge in by posting this up as a quick list. It's February 2015 already and this list is long overdue.

Don't get me started on what makes a film 'British' because I could go on and on about this until we finally get rid of the Royal Family. I'm pretty sure it's fair to say that most of these are definitely British. Without further ado, here are my top 10 favourite British films of 2014:

10. Under the Skin

9. Belle 

8. Jimmy's Hall

7. The Double

6. What We Did On Our Holiday

5. Locke

4. Calvary

3. '71

2. Starred Up

1. Pride


Watch the trailer for Pride:



What were your favourite British films of 2014?

Sunday, 23 November 2014

Why I Love Jack O'Connell: Top 5 Films

When an actor has been picked by director Shane Meadows to feature in a film like This is England, you know they are bound to be special. Strangely though, the15 year old Jack O'Connell only had a very minor role in that British classic before getting to really show his skills in later films like Eden Lake and many more. So even though This is England is possibly the best film on O'Connell's CV, you will not find it on this list of his five finest performances.

With Angelina Jolie's Unbroken on the verge of release and likely to see O'Connell's star go stratopheric, here is a look back at what I consider to be his best five performances so far. Expect Unbroken (in which he plays Olympian and POW survivor Louis Zamperini) to be the film to send this guy straight to super stardom.


5. Eden Lake

The first of O'Connell's properly nasty little shits. He seemed to savour the nastiness with every line spat and every smirk and sneer coming naturally to this swaggering young actor. Tormenting Kelly Reilly and Michael Fassbender to death, Brett is a hooded terror; the Daily Mail's worst nightmare. 


4. Tower Block

O'Connell delivers a towering performance in a pretty decent low budget British sniper thriller. He's an awesomely unlikeable anti-hero who steals the limelight from the cast around him.


3. The Liability

O’Connell might have been in danger of being typecast, with his wide-boy posturing becoming a little familiar here but he manages to keep Adam very sympathetic, aided hugely by a strong script and some great banter with Tim Roth. It is another of his sure to be star making turns with Adam being a laugh out loud presence in the film.


2. '71

O’Connell has far less of his usual swagger here; more of a limp actually. It’s arguably his best performance, turning that usual confidence into a cowering, wounded and terrified boy out of his depth. Gone is the hard lad, replaced with something more sincere and though the camera is often pinned to his face, he rarely speaks and gives little away. In fact, by the end of ‘71, we still know little of Gary Hook, but enough to care that he gets home.


1. Starred Up

Jack O’Connell is frequently a Jack-the-Lad type character and this is never more true than in Starred Up. He even has 'Jack the Lad' tattooed on his arm and his sneer, swagger and savagery all attest to the boy’s unflinching desire to do damage. After being brought in to an adult prison, he is stripped and processed. Silent for the first ten minutes of the film, he might appear an unproblematic prisoner. But alone in his cell, he goes about setting himself up with makeshift (and terrifying) weapons and ensuring that when he is attacked, he will be ready. He is a caged animal; cornered, grunted at by the guards, dismissed or threatened by other prisoners but totally unafraid to fight his way out of any corner by any means necessary. O'Connell is riveting and it is one of the best performances of 2014. It will be interesting to see if he can top it with Unbroken.

What is your favourite Jack O'Connell performance?

More from I Love That Film:

 Why I Love Jake Gyllenhaal: Top 5 Films

 Why I Love Cloverfield 

 Why I Love The Hunger Games 

 Why I love Sundance Film Festival

 Why I Love Titanic: Part 1

 Why I Love Aliens

Why I love Sacha Baron Cohen