Showing posts with label rock. Show all posts
Showing posts with label rock. Show all posts

Tuesday, 19 March 2013

Music Genres and Music Video Conventions



Different genres of music have different styles of music video. Rock music videos are generally very different to rap videos and dubstep videos, but similar across many sub-genres of rock such as videos for metal songs and punk songs. My students on the BTEC Media course have to write about the style of one genre of music.

Here I will look at a couple of different genres. Firstly rock videos are often very much based around an as-live performance of the band. The videos below of Green Day, Foo Fighters and Slipknot all show this. Often the performance will make up the entire video as in American Idiot where a single location has been used. Similarly in Before I Forget only one location is used. On the other hand in Best of You, there is a few locations used but the video keeps returning to the main location throughout the video. This video also has added insert shots that are quite surreal and quickly cut in to add something to the video apart from performance. It is almost like cutting to a narrative but these images appear almost random but no doubt have some element of lyric interpretation in them.


Rock videos often focus heavily on the sight of the band playing their instruments; the guitars and the drums are often filmed at key moments in the song. The lead singer usually gets more screen time and close ups than the rest of the band, as seen in both the Green Day and Foo Fighters songs. This means there can be a lot of lip synching and the audience can clearly identify the ‘leader’ of the band and see their emotions as they sing the song. The Slipknot video beautifully subverts this by never showing any of the band members’ faces. They are known for their masks at live gigs and in their other videos but in this video they are unmasked but their faces are never shown. This keeps their fans interested and waiting to see the elusive faces of the stars.


Other common techniques are the use of slow motion and quick, hectic cuts and cutting to the beat of the songs. The band are often filmed from a low angle to make them appear important or to give the viewer of the video and audience-eye-view like at a live gig. American Idiot also features the band being filmed within the video and we see them on a screen within a screen. This idea of being watched/filmed is often present in music videos. Rock videos are often dark and the band members dress in a fashion that would appeal to the target audience, often in dark clothing.




Rap videos on the other hand are very different. The examples below show two of the main differences in gangster rap videos. Both work on strict stereotypes of African American males but Candy Shop shows 50 Cent as extremely popular with a wide selection of scantily clad females who are there to dance and look sexy. It also makes him look incredibly wealthy and successful. Amusingly it then undercuts all this by showing it all to be a dream at the end.


Still DRE on the other hand plays up the ‘street’ style, emphasising that the rappers are from the ‘hood’, still popular with the ladies but despite their wealth and success, still rapping about being real gangsters on the streets of LA. There is a focus on cars and girls' bodies throughout. In both these rap videos the artists are dressed appropriately for the genre and they lip sync to camera for much of the video.



There are many other music genres that could be explored and I hope that some of my students will take on more modern music genres such as Grime and Dubstep to discuss if a style has emerged in music videos for these types of music.

Thursday, 25 October 2012

Interview with Hello Quo Director Alan G. Parker

Before the premiere of Hello Quo  in London’s Leicester Square, I got the oppotunity to interview director Alan G. Parker.  With the release of the 50-year-spanning rock documentary on DVD and Blu-ray on 29th October, I sat down with the director of Who Killed Nancy? and Monty Python: Almost the Truth - Lawyer's Cut to discuss his most recent film.


We discussed the Spinal Tap similiarities, the rumours of a reunion tour for the original members of Status Quo and the challenge of fitting 50 years of rock history into a feature length documentary.  Parker also mentioned his next project which promises to be another definitive look at an international rock band.

I got to spend 20 minutes chatting with the director and found him to be a really interesting guy with a great love of music.  His visible tattoos and big frame but thoughtful tone make him appear the right guy for the job of making rock-docs.  I even hear he has a tattoo of Sid Vicious on his arm.

The premiere was on Monday night and as I conducted the interview the fans were arriving and the barricades were being erected.  I hear the band were around for a photoshoot but unfortunately I didn't get a chance to see them in person.  I recently reviewed Hello Quo for Filmoria and you can read it here.

I also asked Alan G. Parker about his favourite rock-docs and he mentioned the Metallica one Some Kind of Monster which I must see.  It's been on my Lovefilm list for ages but is one they have yet to send my way.


You can read the full interview with Hello Quo director Alan G. Parker at Filmoria here.

Tuesday, 23 October 2012

DVD Review – Hello Quo @Filmoria


Hello Quo is the 50 years in the making story of British rock legends Status Quo.  It delves into their humble beginnings and climaxes with (possibly not very) heartfelt hugging reunions. Director Alan G. Parker, who I was lucky enough to interview yesterday ahead of the film's Leicester Square premiere last night, has managed to persuade a huge range of recognizable faces to appear in his documentary including Brian May and  Sir Cliff Richard.


All the hits are here with amazing access to all the members, past and present, and fans will no doubt revel in the tales of Top of the Pops performances, drug fuelled recording sessions, charity work, and where are they now details.  The aging rockers make for great raconteurs and the Spinal Tap similarities will have you giggling frequently.

There is something for everyone in this exhaustive rock-doc and fans and casual viewers are likely to be amply entertained equally.

Check out the full Hello Quo review over at Filmoria now and be sure to check out my interview with director Alan G. Parker tomorrow.