One for the ‘grey pound’ crowd,
Song for Marion has terminal illness, pensioners singing about sex, and
families being torn apart and brought back together.
What is most interesting is
that this is from director Paul Andrew Williams, the man who brought us savage
(but not brilliant) home invasion thriller Cherry Tree Lane and prostitute on
the run from pimp drama London to Brighton. Working again on a low budget,
Williams has also again written the script and directed Song for Marion. For
anyone who has seen his previous films, this turnaround is a bigger shock than
anything he has ever mustered despite the grimness of his previous work.
Marion (Redgrave) is
terminally ill but refuses to stop participating at her local seniors' choir,
despite her miserable husband Arthur’s lack of enthusiasm. Lovely choir leader Elizabeth
(Arterton) spices things up by getting the pensioners to sing heavy metal, rap
and even take on Salt N Pepa’s Let’s Talk About Sex for an upcoming choir competion. Marion’s health
deteriorates, and Arthur must endure a bitter journey of self-discovery in
order to come to terms with life without Marion.
Vanessa Redgrave is wonderful
as Marion and while Terence Stamp has the best and most interesting character
in grumpy old git Arthur, he fails to make the most of it, not hitting the
emotional high notes that are needed from a script like this. In fact despite
the fantastic work of Gemma Arterton and Christopher Ecclestone (as Arthur and
Marion’s son), once Redgrave's Marion sings her final song, the rest of the
film gets a bit flat.
I was fortunate enough to attend a special screening of Song for Marion at the Curzon Mayfair where the film was followed by a Q&A with directorPaul Andrew Williams, star Terence Stamp and producer Ken Marshall. From their
answers, it emerges that Song for Marion
was a very personal film for many involved. Stamp speaks of second chances and
Williams argues what makes his film stand out from the recent Quartet that also
featured an elderly cast and singing.
I give the film 2/5 but I really don 't think I'm the target audience. If you're 50 or above or a massive fan of Stamp then give it 3/5 as I'm sure you will enjoy it more than I did. It's a shame as with a slightly better lead performance and a less conventional story, this could have been something more special.
Song For Marion is out now in the UK. Watch the trailer below:
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