Films are carefully designed and produced to ensure that
they cause the audience to feel something. Emotions towards a film can range
from joy to anger and despair. The three films studied for this topic revolve
around controversial subject matter such as racism and hatred and therefore
cause most viewers to feel angry, sad, shocked and often a great deal of
anticipation as to how they will end. These emotions are encouraged by the
filmmakers through both their choice of subject matter and also the carefully constructed
micro techniques used.
Nothing a director does is by accident and many techniques
such as the use of a soundtrack and editing are there to encourage emotional
responses in the audience. American History X, This is England and United 93
all feature non-diegetic soundtracks that increase the sadness of events
depicted on screen. Typical instrumental music is added to the film in
post-production and violins and pianos are commonly used for sad scenes. For
example when Danny dies in AHX and Derek is running in slow motion, there are
violins playing and when Shaun is all alone on the beach in TIE, there is
acoustic guitar on the soundtrack. Shane Meadows even drowns out the sound of
one character’s speech with piano music to emphasise how sad the scene is with
Combo being racist in front of Milky. The editing also builds anticipation in
these films with crosscutting between Derek and Danny as they part at the
school gates, cutting between the passengers and the people on the ground in
United 93 and cutting to close ups of character’s reactions as Combo tells his
story. AHX also uses voiceover to make Danny more identifiable.
All three films are constructed to make the audience
identify more with some characters than others. They have clear preferred
readings created through their construction techniques in order to make the
audience care for and side sympathise with certain characters. For example in
AHX and TIE, there are young characters called Danny and Shaun. Danny’s
voiceover tells the story of the film and as it is supposed to be him reading
his essay, it even continues after his death. In essence, the audience hears
his thoughts and perspective on events and therefore is more likely to identify
with him. The cinematography aids this process with close ups and point of view
shots and also the fact Danny is played by Edward Furlong who was a minor star
after appearing in Terminator 2. Similarly TIE follows Shaun through his daily
life. There is no voiceover but the camera sticks close to him, even when he is
alone and we learn that both he and Danny have fathers who have died, instantly
making them more sympathetic. When Danny dies and when Shaun starts to become a
racist thug, there is music on the soundtrack to ensure that the audience feels
sad. On the other hand United 93 uses no stars and reveals very little about
the passengers’ back stories but through the cinematography and subject matter,
still makes the victims easy to identify with.
Cinematography can be vital to creating an emotional
response, as can be the mise-en-scene that is captured by the camerawork. In
United 93, the camerawork is very often handheld and the view is often
obstructed by framing that is not clear and feels improvised. This gives the
film a great sense of realism, as if the viewer is watching a documentary
caught be a camera operator on the plane with the passengers. This makes it
more horrifying and saddening. The cinematography in AHX and TIE is much more
composed and formal. Thought it may not have the same level of realism as U93,
it still can create an emotional response. In both films, the spectator is put
in the point of view of victims; Milky when he is physically attacked and
Murray when he is verbally attacked. The camera is positioned in a high angle
to look down on Derek after he has been raped and also on Shaun when he is all
alone in TIE. Similarly, a low angle is used to make the house look imposing
when Doris falls to her knees outside it after her fight in with Derek in AHX.
The mise-en scene of AHX is particularly shocking with its use of swastika
tattoos and Nazi memorabilia but it is also shocking and sad to see the appearance
of the World Trade Centre still standing in U93.
On the other hand, it is certainly not only the construction
techniques in any of these films that make them so sad. It is also the subject
matter in all three films that is essential to creating the emotional response
and one of the main reasons for this is their reference to real life events. U93
is a film based on the real life events of September 11th 2001 when
a plane was hijacked and the passengers all died trying to take back control of
the plane from terrorists. The real events are still very raw in the memories
of many people who watch the film and the real life tragedy clearly makes the
film far sadder than if the film was nothing but fiction. The phone calls that
the characters make are based on actual transcripts which make the scenes where
the passengers say goodbye to the loved ones extremely sad and difficult to
watch. AHX and TIE may not be based on
true stories but they frequently refer to real life events, to make the films
more poignant and sad. AHX has Derek ranting about Rodney King and the LA race
riots but Derek also pushes hot button emotive issues such as immigration and
unemployment to make his racist rants appeal to his audience of followers.
Similarly Combo in TIE uses immigration and unemployment but also refers to the
Falklands War and Margaret Thatcher to try and convince people of his cause.
These real life references will undoubtedly mean more to those who remember
them in real life but the use of real footage in TIE means the viewer will get
the message that director Shane Meadows is trying to share.
All three films are about racism, hatred and violence. These
are potent issues for creating emotional responses as many spectators will feel
strongly about them. AHX deals with the issue of racism through the redemption
of one Neo-Nazi skinhead who goes from brutally murdering an African American
to being raped in prison by other Neo-Nazis to agreeing to help solve the
problem or racism. TIE tells a coming of age story of a young boy who gets in
with an older crowd before being influenced by a racist thug and finally
turning against racism. U93 is about four men who want to kill a plane full of
people because of their religious beliefs and their hatred of America. These
are clearly emotive subjects where characters feel extremely strong hatred, say
shocking, vile things and commit horrendous acts against each other.
In conclusion, it is not simply the subject matter or the
construction techniques that create the strong emotional responses to these
films. It is a marriage of both where the content is disturbing, challenging
and often brutal while the music, editing and cinematography encourage the
viewer to react with sadness, shock or horror. The script and the performances
ensure that the audience care for the characters, even characters who they may
have at first hated. The most emotional scenes of the films all occur towards
the end where the subject of racial conflict comes to a head but also the
music, performances, editing and cinematography add inexorably to the emotional
impact.
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