Ron Howard
gets right to the heart of the true story that inspired Herman Melville to write Moby
Dick. Reteaming again after the success of Rush with Chris Hemsworth, and more
importantly DOP Anthony Dod Mantle, Howard goes beyond Melville's story of man
vs whale to reveal the harrowing tale of survival that followed the sinking of the whaling
vessel Essex in the 1820s.
Melville
(Ben Whishaw) visits an old Tom Nickerson (Brendan Gleeson), last survivor of the Essex and
offers him a wodge of cash in exchange for the full story on what went down in
the middle of the ocean all those years ago. So begins Nickerson's version of
events; a story of conflict between Captain George Pollard (Benjamin Walker) and First Mate Owen
Chase (Chris Hemsworth), as the two men hurl their ship across the oceans in pursuit of whales. Their
quest for whale oil brings them into conflict with a giant monster of the sea;
a white whale that won't even stop when it has destroyed the Essex itself.
Survival at
sea has rarely looked so horrible, even after the likes of Life of Pi and
Unbroken. The whale is the least of this crew's worries once the Essex goes
down. Storms, sun, starvation; attack of the Hollywood skinniness. By the end,
Hemsworth and his fellow survivors look like zombies as they resort to
unspeakable actions in order to survive. You'll soon forget that you're
watching Thor and the future Spider-Man Tom Holland face to face, as their eyes become
sunken holes in their scrawny heads.
As the
months aboard the Essex pass, there's a sense of excitement and adventure every
time the crew find whales. But mixed with the majesty of the great creatures is
the tragedy of their hunting, killing and butchering. Howard and Dod Mantle
find the oily business grotesque and it shows in the inky, off-kilter
cinematography. In fact, In the Heart of the Sea very clearly becomes Dod
Mantle's film as it goes on. The shot choices become more bold and more stark
as the situation for the crew gets more desperate.
In its
heart, it’s a conflicted film. Hemsworth skips around the sails in typical hero
style, but then the film mourns the first whale he manages to kill. He's
clearly more cut out for the sea than his captain, who for the first half at
least, is set up as the villain. But things get far more interesting once the
monster whale turns up and cuts them all down to size. Howard does a decent job
of making us sympathise with the men, investing just enough to make a few of
the characters register above their blooming beards.
But the
whale is the real heart of the sea. The tagline of Jaws: The Revenge said it
best: This time it's personal. The incredible creatures might all be made of CGI, but that big
white whale steals the show. Smashing, crashing and chasing his foes in payback
for the family it has lost, it's a stark reminder of how nature can respond
if men keep abusing the planet so arrogantly and recklessly.
In the Heart of the Sea is an epic odyssey of survival; much bigger,
more emotional, and more exciting even than this year’s other great disaster
story, Everest.
Watch the trailer:
Seen it? Let me know what you thought in the comments or on Twitter @ilovethatfilm
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