Showing posts with label 2013. Show all posts
Showing posts with label 2013. Show all posts

Friday, 16 September 2016

Blue Ruin Review



Blue Ruin came out in 2013 was easily one of my favourite films of the year. This review was originally posted at Filmoria.

Jeremy Saulnier is a name you better get used to. Writer, director and photographer of the brilliant indie revenge thriller Blue Ruin, he will need to watch his back if he carries on like this. Everyone will be after him and his considerable talent and there are bound to be a few directors jealous enough of his skills to try and take him out themselves. For that matter, the magnificently bearded lead Macon Blair is also a serious talent to watch.


Blue Ruin is the story of Dwight (Macon Blair), a homeless drifter who takes baths in empty houses, sleeps in his car and gets food from anywhere he can. Dwight is the silent type; his mouth seemingly lost beneath his impressively overgrown beard. When he finds out that Wade Cleland, the man responsible for the murder of his parents has been released from prison, Dwight immediately swings into action, carrying out his burning desire for revenge. However, killing Wade may only be the beginning of Dwight's one man rampage of revenge.

Because unfortunately for him, Dwight is no Rambo. He hasn't got the skills, the savagery or the insanity to just pick off bad guys left, right and centre. He is clumsy and clearly crap at all this killing stuff. Though he is committed to his cause and clever enough to carry it out with the possibility of getting away with it, he is also just an ordinary guy. His early mishaps with a knife show his worrying lack of prowess in the weapon-wielding department and it makes him believable, sympathetic and impossible not to root for.


Blue Ruin starts off like a deceptively typical indie movie; all intriguing close ups with shallow depth of field and bereft of dialogue for most of the first half hour. The composition of early shots are gorgeous with the camera later prowling around the dark locations building an unbearable silent tension. The subtle score exacerbates this, brooding in the background and anticipating the violence. Suddenly and viciously, Blue Ruin becomes a black comedy  and edge-of-your-seat thriller.

And when it comes, the first murder is brutal, bloody and swift. The first act of the film ends where most revenge thrillers would finish but Blue Ruin has plenty more in store. The exact details of the murder that has spurred this mission are deliciously drip fed through sparse bursts of dialogue, punctuating the scenes of silent Dwight stalking. After he seems to have succeeded in his goal, it suddenly and frantically becomes clear that what started out simple has just become far more complex as Dwight has ignited a terrifyingly dangerous family feud.


From revenge thriller to home invasion movie and back again, Blue Ruin is never less than absolutely thrilling. As Dwight rolls around in his old battered car, he beautifully blurs the lines between victim and predator. Though he is a man of very few words, he is impossible to take your eyes off. Macon Blair is revelatory in the role, transforming his features so he is almost two different characters during the story. His amateur assassin becomes reluctant protector to his estranged family and his bravery, resourcefulness and  determination are hilariously balanced by his total authenticity, lack of faith in himself and deep sadness he lugs around with him. It is a wonderful performance; at times bringing real warmth and empathy to the character while being darkly funny as he is forced to tend his wounds and deal in death. There clearly can't be a happy ending for poor Dwight who never smiles and takes no pleasure in his actions. He is a man driven to do what he simply has to do and he has no illusions that he deserves to get out alive. However you are guaranteed to wince with him when he is hurt and cheer him on when he takes revenge.

Helped along the way by an old friend who warns him not to make speeches before killing people, Blue Ruin is gripping from start to finish even when it pauses for pitch black humour. The villains may not have much shading, but their love of guns is enough to make them (for the most part) a mysterious and chilling foe. Bleakly funny, tense beyond words, breathtaking and heartbreaking, Blue Ruin is everything you could possibly want in a thriller. Dwight is undoubtedly one of the best characters of the year and his story will keep you riveted. As Dwight travels to another showdown, he hears a song about having no regrets on the radio. Like Dwight after his spree, you certainly won't have any regrets after seeing the brilliant Blue Ruin.

Watch the trailer:


Check out my review of writer/director Jeremy Saulnier's latest Green Room and watch out for my interviews with Saulnier and Green Room actor Callum Turner coming soon at Starburst Magazine.

Thursday, 6 March 2014

2013 Top 10 Update: Still not definitive

I'm still struggling to get all the films from my list of shame watched before I make my definitive top 10 (or 20 or 30 at this rate) of 2013. Films still to watch include Lincoln, Frozen, Blue Jasmine and Blue is the Warmest Colour and you never know which, if any, may squeeze their way into my top 10 of 2013. I expect to have a definitive list by June hopefully!

Seeing as yesterday I already took the crazy step of doing a top 10 of 2014 so far list, I thought it best to also update what I think were my favourite films of 2013. I have already done my top 10 British films, top 10 horror, sci-fi and fantasy and top documentaries but all these will have changed as my mind works through the films for years to come and also I add more films from the list of shame.

Way back in July 2013, I decided these films were my top 10 of the year so far but this has changed considerably now. Click the titles for full reviews. Without further ado, here is my top 10 of 2013 at the moment:



 
9. Gravity


8. The Selfish Giant


7. Captain Philips




5. The Hunger Games: Catching Fire






3. Spring Breakers


2. Before Midnight 



1. The Impossible

Unfortunately I never reviewed Gravity and there are two other newcomers to this list that I have also not reviewed.

I watched Before Midnight last night and it has blown away most of the competition. I expected it to be good but not that good! It will stay with me for a long, long time I suspect. Though I didn't fully believe the last minute hint at a happy ending, I think maybe that is the point. There are some serious cracks in Jesse and Celine's relationship and though they can keep trying to paper over them, the cracks may yet continue to grow. It might be a very sad story if we ever catch up with these two again.

Another newcomer to the list is The Selfish Giant which is a small British film about two kids who get in with metal scrappers to earn some pounds while skipping school. The performances of the two boys in the leads were absolutely incredible and the story and cinematography were amazing, if utterly tragic in every sense.

What do you think of my top 10 of 2013 so far?

Sunday, 23 February 2014

Nebraska Review



Modern black and white films like Nebraska are often stark and brutal, depressing right from start to finish. Schindler’s List, La Haine and Control all deal with sad subjects and the black and white photography give them a simultaneous sense of being in the past and also of the hopelessness of the characters’ situations.

Nebraska is an achingly sad semi-comedy starring Bruce Dern and Will Forte about a son and his aging father who travel across the country to collect a million dollar prize that the son knows certainly doesn’t exist. Dern is the booze-addled elderly father Woody Grant who believes everything he reads and won’t stop until he has collected his prize from the company in Lincoln who named him a ‘winner’. Forte (best known for gurning through MacGruber) is his son David who decides to drive him from Montana even though the winnings are an obvious scam. 


Along the way, the father and son bond like never before. David learns more and more about his father as they stop off in the areas where Woody grew up. They meet estranged family, old friends and old flames as they pass through forgotten towns of America, filled with vultures and phonies. Everyone is quick to be Woody’s best friend when they learn of his potential winnings and even quicker to dump him and dismiss him when they learn of the scam.

With typical detachment, director Alexander Payne creates incredibly genuine characters from Dern’s downtrodden Woody to his know-it-all nagging wife to David himself; a good son who could do with the escape as much as his father. It is a depressing trudge through a cast of characters who are all too believable. The main warmth comes from the central relationship between Woody and David and though they are joined briefly by David’s mother and brother on their journey, it all comes down to David’s determination to make his father happy, no matter how difficult that is.


There is no sentimental, melodramatic button pushing. The film simply hobbles along at the pace of Woody’s mumbling and stumbling. Forte is an incredibly welcome presence, both as respite from all the doddery old timers but also as the only thing that can come between Woody and his opportunistic family and old friends. Stacy Keach is particularly memorable as a man determined to get some money out of Woody and the closest thing the film has to a villain. Close behind in the asshole stakes are brothers Bart and Cole (Tim Driscoll and Devin Ratray) who would be hilarious if they weren’t so depressingly despicable.

Nebraska is a film that seems fed up with the world. Woody is a washed up old fool who had a hard life and was once a good man. There are hints at what turned him to alcoholism but this is left under explored. While we get odd glimpses of humanity with some pleasant characters littering the film, they are mostly lost beneath the sad scumbags who try to swindle old Woody. It is fortunate then that the character of David is unerringly good; a very welcome respite from the bleak outlook of the rest of the film. With a melancholy score from Mark Orton, stark cinematography from Phedon Papamichael and some heartbreaking performances, Nebraska is a winner; even if Woody isn’t.


More reviews from I Love That Film:

Lone Survivor

Only Lovers Left Alive

The Wolf of Wall Street

Out of the Furnace

Philomena

Dallas Buyers Club

12 Years A Slave

American Hustle

Captain Phillips

Sunday, 19 January 2014

Philomena Review

National treasure Judi Dench gives one of the best, funniest and emotionally stirring performances of her long career in Philomena. Writers Steve Coogan and Jeff Pope and director Stephen Frears gift her a role that demands a huge emotional range and all wrapped up in a story that delivers so many twists, turns and unexpected revelations that it is also a seriously bumpy emotional ride for the viewer. With a character as wonderful as Philomena, you never quite know what to expect next, especially with such a warm and well written script and the film veers expertly between laugh out loud comedic moments and tear inducing heartbreak.


Philomena is the story of the titular little old lady's struggle to find her son who was stolen from her when she was just a very young woman. After a brief encounter with a young man in a fairground, Philomena was forced to give her boy up for adoption by the nuns who she lived with, worked for, and who convinced her of the shame she should feel. On the boy's 50th birthday, Philomena finally tells her daughter of the long lost son she has thought of every day since and her daughter makes contact with recently sacked spin doctor Martin Sixsmith to ask if he would be interested in helping tell Philomena's story. Sixsmith was a BBC political correspondent with only disdain for human interest stories in journalism but down on his luck and intrigued by the story, he decides to help Philomena to find her son in order to be able to turn it into an article.

Steve Coogan is clearly getting something off his chest with Philomena. Oddly, for a guy who has been so vehemently against the tabloid press, getting his own back on the News of the World by airing their dirty laundry at the Leveson Inquiry, Coogan centres his script and also takes the role of journalist Sixsmith. Without lumping all journalists together under the disgusting umbrella of the gutter press, it is still strange to see Coogan playing a man who decides to try earning his living at digging into someone's private life. Sixsmith is obviously a fairly decent fellow, not one of the tabloid snoopers that Coogan so despises in real life. His career as a journalist took him to Washington and Moscow and when he decides to have a go at a human interest story, he is careful not to exploit Philomena but instead turns the story into an investigation and expose of a terrible wrong doing.


While the ethics of this kind of journalism is touched upon, with Sixsmith encouraged to find the 'best' story by his cold, calculating editor, most of the rage presented in the script is reserved for the Catholic church. Though Philomena the character is an incredibly sweet soul who will never blame, hate or crucify the Catholic church and in particular the nuns who wronged her so spectacularly, Philomena the film feels filled with the righteous anger that Sixsmith and every member of the audience is likely to feel by the end.

The script piles on revelation after revelation and it would be a shame to reveal its many secrets. Philomena and Sixsmith travel to Washington after finding out that the lost boy was adopted by an American couple. It is never black and white like the stories Sixsmith's editor wants with heroes and villains and happiness or tragedy. Both happiness and tragedy are found during their search and though there does appear to finally be a very great evil at the heart of the story, Philomena's response to it reveals the kind of woman she is.


Dench gets to have a great time bringing the charming Philomena to screen. Whether boring Sixsmith to tears with her retelling of romance novels or admitting that she didn't know she had a clitoris, she is frequently hilarious. Beneath her naivety however is a steely resolve, fierce bravery and unexpected smarts. She is a brilliant character and Dench delivers hilarity and heartbreak perfectly. Watch her excitement when she learns Sixsmith once met her son in Washington and weep as her face falls at other revelations. It is a layered performance that could easily have been one note and simply had a good laugh at the expense of the character.

Philomena is a brilliantly written script with an unforgettable character who has an incredible story to be told. While it takes potshots at journalism and the church, it is ultimately an inspiring story of forgiveness. Dench and Coogan make a hilarious double act with Coogan unexpectedly playing the straight man but it is the tragedy of Philomena's treatment at the hands of the nuns that will linger longest in the memory.

Stick around! Please enjoy some more reviews from I Love That Film:

Dallas Buyers Club

12 Years A Slave

American Hustle

All is Lost

The Railway Man

Mandela: Long Walk to Freedom

Captain Phillips

Saving Mr. Banks

Monday, 13 January 2014

American Hustle Review

American Hustle is more than anything else, a showcase for its actors; a sure fire Oscar contender in all the acting categories. It may seem to many a bit of a stretch to call performances 'brave' but American Hustle is full of such performances. Christian Bale balloons and covers baldness with an ambitious comb over, Amy Adams spends the entire film showing off some serious side boob, Jennifer Lawrence plays a hideously manipulative bitch and Bradley Cooper turns what should be the good guy into an utter prick.


American Hustle is the story of con man Irving Rosenfeld (Bale) who, along with his smart and attractive partner Sydney (Adams) is caught grafting and then forced by Federal Agent Richie DiMaso (Cooper) to aid the FBI in catching high profile targets using their skills. In return for leniency, Rosenfeld and Sydney will lure their prey in and ensure DiMaso gets his men. When the stakes are suddenly raised and senators, congressmen and the Mob become involved, all the characters quickly find themselves out of their depth, made worse by Rosenfeld's scheming and completely untrustworthy ex-wife Rosalyn (Lawrence).


Its a film lush with production design detail,showing off not just its cast's considerable acting talents but also their commitment to looking a little bit silly and mostly unlikeable. The hair, the costume and the decor is wonderfully awful and fortunately only adds to the performances. The murky grey areas of morality are explored throughout with the con artists robbing the poor, the FBI behaving in equally questionable ways and it all takes place in an America only recently recovering from Vietnam and Watergate. No one is nice, few get out clean and even those that do manage to keep their heads up, leave a lot a lot to be desired.


The story is 'mostly true' but Eric Warren Singer and director David O. Russell's screenplay is a little too neat to be credible. The characters are great fun to watch when they get into the scamming but watching Bale and Adams falling in love is less essential. Bale seems to be channeling De Niro (who briefly turns up for a cameo) and Adams is the smartest but least interesting character beyond wondering how her breasts stay in her dresses. In fact, these two get the less exciting roles being more dependable than electric. It's when Bradley Cooper and Jennifer Lawrence rev up that the film really takes off. Both smart and stupid and incredibly manipulative, they are the fuel that makes American Hustle catch fire.


Overall it's a clever con, funny at times and crammed with wonderful performances. It might not have the zip and the pizazz of a Goodfellas or a Boogie Nights, but what it does have is Batman, Lois Lane, Rocket Racoon, Mystique and Hawkeye all in one film and all playing characters that are far more interesting than their comic book counterparts.

Stick around! Please enjoy some more reviews from I Love That Film:

Dallas Buyers Club

12 Years A Slave

The Secret Life of Walter Mitty

The Hobbit: The Desolation of Smaug

All is Lost

The Railway Man

Mandela: Long Walk to Freedom

Captain Phillips

Saving Mr. Banks

Sunday, 12 January 2014

Every new release I watched in 2013

This is a list of all the films released in 2013 that I managed to watch in 2013. Please click the titles for reviews. There are 96 titles here and that means that pretty much two thirds of the 142 films I watched in 2013 were new releases. I have Filmoria, Static Mass Emporium and Starburst Magazine to thank for sending me to so many of these screenings.

These are listed in the order that I saw them. I might make a temporary top 10 soon but first I need to see this list of 25 movies I missed this year. I'm also very proud to see just how many of these new releases I managed to review. The highlighted titles are probably going to be my top 20 until I have seen more of the films I missed from 2013.
  1. The Impossible
  2. Flight
  3. The Bay
  4. Les Miserables
  5. Rebellion
  6. No
  7. Wreck-It Ralph
  8. I Give it a Year
  9. The Fall of the Essex Boys
  10. Warm Bodies
  11. Hitchcock
  12. Cloud Atlas
  13. Song For Marion
  14. A Good Day to Die Hard
  15. Stoker
  16. The Paperboy
  17. Our Children
  18. Django Unchained
  19. Zero Dark Thirty
  20. Broken
  21. Robot and Frank
  22. The Incredible Burt Wonderstone
  23. Sleep Tight
  24. The Lords of Salem
  25. Trance
  26. The Liability
  27. Side Effects
  28. Evil Dead
  29. Spring Breakers
  30. Olympus Has Fallen
  31. The Gatekeepers
  32. Iron Man 3
  33. Bait
  34. The Look of Love 
  35. Bernie
  36. Everybody Has a Plan 
  37. 21 & Over
  38. Side by Side
  39. Sound City
  40. A Hijacking
  41. The Great Gatsby
  42. Fast and Furious 6
  43. Behind the Candelabra
  44. Sweet Vengeance
  45. This is the End
  46. Come as You Are
  47. Summer in February
  48. Man of Steel
  49. Star Trek Into Darkness
  50. Desert Runners
  51. Monsters University
  52. The Internship
  53. To the Wonder
  54.  The Deep
  55. The World's End
  56. Frances Ha
  57. Escape
  58. Dark Skies
  59. Jack the Giant Slayer
  60. G.I. Joe: Retaliation
  61. Admission
  62. Identity Thief
  63. The Croods
  64. 2 Guns
  65. Lovelace
  66. We’re the Millers
  67. You're Next
  68. Alan Partridge: Alpha Papa
  69. Dark Tourist
  70. Rush
  71. The Lone Ranger
  72. More than Honey 
  73. Elysium
  74. The Call
  75. No One Lives
  76. Filth 
  77. How I Live Now 
  78. Machete Kills
  79. Sunshine On Leith 
  80. In Fear
  81. Snitch
  82. Ender’s Game
  83. How to Survive a Plague
  84. Don Jon
  85. Utopia
  86. The Hunger Games: Catching Fire
  87. Saving Mr. Banks
  88. Captain Phillips
  89. Only God Forgives
  90. Gravity
  91. Insidious Chapter 2
  92. When the Dragon Swallowed the Sun
  93. Anchorman 2: The Legend Continues
  94. The Secret Life of Walter Mitty
  95. Battle of the Damned
  96. The Hobbit: The Desolation of Smaug 

Check out some more 2013 lists from I Love That Film:

Best British Films of 2013

World Cinema in 2013

Top Documentaries of 2013

2013 Top 10 Horror, Fantasy and Science Fiction

TV in 2013: Breaking Bad, Dexter, The Walking Dead, Homeland and more

Best books I read in 2013

2013 List of Shame or 25 films I should have seen this year

Top 25 Films to see in 2014