Last year I completed my first book/monograph on The Blair Witch Project. It is published by Auteur as part of their Devil's Advocates series on classic horror films. I have just started to notice some reviews of the book popping up online and thought I would share them here.
So far, the response has been very reassuring. I hope that you will consider buying a copy here and reading the book for yourselves!
Exquisite Terror Review
"A pleasurable read, the author’s style is clean and unfussy and, while
his love for the film abounds, he’s careful to ensure arguments and
assertions are well balanced throughout. This is not only another
welcome instalment of the Devil’s Advocate series, but a fascinating
insight into how a deceptively simple horror film with a minuscule
budget and cast of unknowns, made such an overwhelming impact on the
landscape of cinematic terror. Highly recommended."
Horror Channel Review
"The whole book is a very authoritative read and one that should be done
in one setting just after re-watching the movie. Another “must buy” from
the Devil’s Advocate range."
FrightFest Review
"From explaining it origins, through to its reception, the book concisely
articulates the history and legacy of this movie into a neat format,
which provides deserved reading for either people who have seen the film
before, or will provide some fascinating insights to make Blair Witch
virgins want to watch it."
Psychobabble Review
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Showing posts with label auteur. Show all posts
Showing posts with label auteur. Show all posts
Friday, 31 July 2015
Wednesday, 25 March 2015
15 Things You Probably Didn’t Know about The Blair Witch Project
My book on The Blair Witch Project has taken me about two years to research and write. Now it's available to buy online here,and to tempt you, here are 15 things you may not have known about the film.
1. The Blair Witch
Project made nearly $250 million worldwide at the box office, which is nearly
10,000 times its production budget.
2. The Blair Witch
Project started as an idea, referred to by the directing duo as far back as
1993 as The Woods Movie. The
directors Eduardo Sanchez and Daniel Myrick took the seed of this idea and
wrote a script that was only 35 pages long.
3. Far bigger budget horror efforts such as Sleepy Hollow (1999), The Haunting (1999) and End of Days (1999) could not compete
with The Blair Witch Project’s box
office draw, even with the likes of Johnny Depp, Arnold Schwarzenegger and the
promise of bucket loads of CGI crammed into the trailers.
4. When an eight minute teaser of The Blair Witch Project was
screened on television without revealing to the audience that it was fake, a
detective called in to offer his help in finding the ‘lost’ filmmakers.
5. The Blair Witch
Project was originally conceived of as a more traditional mock-documentary
with the footage shot by the actors only meant to feature in the last part of
the documentary on the curse of the Blair Witch through the ages. It was only
after the footage Heather and Mike filmed was returned to the directors and
editing had begun that the idea to use only this footage in the feature was
initiated.
6. The Blair Witch
Project even beat the following films at the box office: Tom Hanks in The Green Mile, nineteenth Bond film The World is Not Enough, Richard Curtis
rom-com Notting Hill and Will Smith
blockbuster Wild, Wild West.
7. There are many stories reported of people travelling to the
town of Burkittsville where the events of the film take place in order to
search for the students. Since then, fans of the film have repeatedly stolen
the Burkitsville ‘welcome’ sign.
8. According to Sanchez, ‘the original budget to get the film
in the can was probably between $20,000 and $25,000. Then, once we got to
Sundance to make a print and do a sound mix, we were probably more in the
neighbourhood of $100,000’ (Young, 2009).
9. They even bought one of the cameras then shot the film and
returned it in time to get a full refund.
10. When it was bought by Artisan Entertainment at the Sundance
Film Festival, they spent another half a million dollars on it. According to
Sanchez, ‘they did a new sound mix, and they had us re-shoot some stuff. They
didn't like the original ending with Mike standing in the corner. They asked us
to shoot some new endings — Mike hanging by his neck; Mike crucified on a big
stick figure; Mike with his shirt ripped open and all bloodied. We shot them
but ended up staying with our original ending. So the budget of what you saw in
the theatres was probably $500,000 to $750,000’ (Young, 2009).
11. On making it past the deterrents, those continuing into the
actual audition found themselves thrown into an off-the-cuff improvisation,
according to actor Joshua Leonard (Mannes, 1999). The directors would
immediately say “You’ve been in jail for the last nine years. We’re the parole
board. Why should we let you go?” Those that could not spring into character in
an instant were shown the door.
12. Instead of having the directors with the actors on location,
Myrick and Sanchez would leave mysterious bundles, rock piles and stick figures
around for the cast to discover. They would slime the backpacks of the
characters and make frightening noises in the night, at one point even
attacking their tent to scare the cast. This approach was also based on producer
Gregg Hale’s military training. Hale had been through Survival, Evasion,
Resistance and Escape (SERE) training whilst in the army that involved four
days of being chased by American soldiers pretending to be hunting for him. He
spoke of his terror despite knowing that soon the ordeal would be over and that
the soldiers were simply playing a part.
13. The directors had programmed ‘escape routes’ into the GPS
systems and after 24 hours of rain, the cast decided to use one. They ended up
at a house where Donahue reveals they were invited in for hot cocoa and got to
use a real toilet (Lim, 1999).
14. By the last two days of the shoot, Heather and Michael, the
two remaining cast members, were only being fed a single Power Bar and a banana
per day.
15. The directors had to cut 20 hours of raw footage down into
an 80 minute film.
Let me guess... you probably did know some of those. Well I'm sorry but I had to convince you to read it somehow. Anyway please consider buying a copy of my book here.
Wednesday, 5 March 2014
My Blair Witch book just got a cover
Since December 2012, I have been writing a book for the Devil's Advocates series on classic horror films. The series is published by Auteur and my entry on The Blair Witch Project is following other entries on Saw, The Texas Chain Saw Massacre, The Thing, The Descent, Carrie and Witchfinder General. I submitted a first draft a couple of months ago and it is being reviewed by the editor currently. Until I get it back for what will probably be some pretty serious revisions, I have nothing to do but stew and wait in anticipation for feedback. Then yesterday I got the cover through from the editor to see if I approved. I don't know if it's my love for the film, my love of seeing my name in print or just the overall style of the cover which fits so well with the other books in the series but I love it. Here it is below:
Unfortunately there is no firm publication date yet but I'm almost certain it will be released at some point in 2014. As soon as it is available to buy, you can best believe I'll be promoting it in any way I can so watch this space. Cool cover though don't you think?
Unfortunately there is no firm publication date yet but I'm almost certain it will be released at some point in 2014. As soon as it is available to buy, you can best believe I'll be promoting it in any way I can so watch this space. Cool cover though don't you think?
Wednesday, 4 September 2013
Recent Publications: Gangnam Style and Prison Movies
I've just got copies of two of my articles through today and thought I would share some pictures. First is my article on the phenomenon that is the Gangnam Style music video. This went viral (in case you hadn't heard) and is now the most watched video on YouTube ever. Not bad for a South Korean pop star who isn't really even singing in English.
The issue of Media Magazine that this article is in was called the 'Reading the Media' issue. The brief said to analyse any piece of media we felt could be of interest and I thought Gangnam Style would make an interesting article. You can subscribe to Media Magazine here but unfortunately I don't think you can buy individual copies.
I'm also writing a couple of articles for the next issue which is 'The Gothic Issue'. I'm writing an article on Universal's classic monster movies and their remakes and also hoping to get another written comparing the two big trends in modern horror: torture porn and found footage. Here is a look at the first page of the Gangnam Style article:
The other article I just had published is in the 'Prison Issue' of Splice Cinema Journal. This article and publication is a bit more on the academic side and my article is called Prison and Punishment, Race and Redemption: Comparing Prison Life in The Shawshank Redemption and American History X... phew even the title is a bit of a mouthful. Splice is published by Auteur who are the publishing house that I am currently writing by Blair Witch Project book for. At least with a title that long I think it sums up exactly what the article is about. You can pick up copies of Splice here.
I also just found out that the previous article I had in Splice on Will Ferrell's sports movies got a nice review over at the Media Education Association. The reviewer Steve Murray very kindly wrote:
'Peter Turner’s essay Mockery, Masculinity and Misogyny: The Sports Movies of Will Ferrell offers a rare opportunity to read a considered academic piece about an iconic American comedy actor who is more than likely to engage the interest of the average teenager sitting in our classrooms. The essay looks in detail at representations in Ferrell’s sports films and would be useful both as a teaching resource and as a starting point for a research project for A2 Film Studies coursework; indeed, this essay would provide invaluable help to students choosing to look at Will Ferrell as a star for WJEC’s annotated catalogue and presentation script.'
All in all, it has been a happy day. I love seeing what designers are going to do when they publish my writing and it never disappoints.
The issue of Media Magazine that this article is in was called the 'Reading the Media' issue. The brief said to analyse any piece of media we felt could be of interest and I thought Gangnam Style would make an interesting article. You can subscribe to Media Magazine here but unfortunately I don't think you can buy individual copies.
I'm also writing a couple of articles for the next issue which is 'The Gothic Issue'. I'm writing an article on Universal's classic monster movies and their remakes and also hoping to get another written comparing the two big trends in modern horror: torture porn and found footage. Here is a look at the first page of the Gangnam Style article:
The other article I just had published is in the 'Prison Issue' of Splice Cinema Journal. This article and publication is a bit more on the academic side and my article is called Prison and Punishment, Race and Redemption: Comparing Prison Life in The Shawshank Redemption and American History X... phew even the title is a bit of a mouthful. Splice is published by Auteur who are the publishing house that I am currently writing by Blair Witch Project book for. At least with a title that long I think it sums up exactly what the article is about. You can pick up copies of Splice here.
I also just found out that the previous article I had in Splice on Will Ferrell's sports movies got a nice review over at the Media Education Association. The reviewer Steve Murray very kindly wrote:
'Peter Turner’s essay Mockery, Masculinity and Misogyny: The Sports Movies of Will Ferrell offers a rare opportunity to read a considered academic piece about an iconic American comedy actor who is more than likely to engage the interest of the average teenager sitting in our classrooms. The essay looks in detail at representations in Ferrell’s sports films and would be useful both as a teaching resource and as a starting point for a research project for A2 Film Studies coursework; indeed, this essay would provide invaluable help to students choosing to look at Will Ferrell as a star for WJEC’s annotated catalogue and presentation script.'
All in all, it has been a happy day. I love seeing what designers are going to do when they publish my writing and it never disappoints.
Monday, 17 June 2013
The History of Internet Movie Marketing
I'm currently writing one of the last chapters of my book on The Blair Witch Project for the Auteur Devil's Advocate series and I'm trying to find out a bit about the history of movie marketing using the internet as a tool. Everybody knows about the effectiveness of the website that was made to promote The Blair Witch Project but I'm curious about how ground breaking it actually was.
I'm finding it pretty hard to find out much about the history of internet movie marketing so I've put a few tweets out to see if anyone can help. Here are the tweets. This is, by the way, one of the many reasons I love Twitter. There are so many movie buffs out there and their knowledge, passion and desire to communicate astounds me. I'm just waiting for the day when I run out of movie buffs to follow but I hope that never happens.
And as usual with the power of the internet, I got a response to one of these question almost immediately. How good is that? Love Twitter. Love the internet. Very grateful to @beckygracelea for the information. I recommend you go follow her for being awesome!
So Stargate eh? Freaky that I've just finished writing a Roland Emmerich retrospective for Filmoria too (to be published next week). You'd have thought I might have stumbled across this little nugget of information. Here is the proof that @beckygracelea was right:
"Stargate was the first movie to ever have an official website. It was set up by Dean Devlin in 1994 and featured images, trailers and behind the scenes clips and actor information."
So now my other questions still stand, what happened next, when did it become commonplace? Was Blair Witch really the one that made movie makers see the power of the internet as a marketing tool? Any help would be extremely generous and much appreciated!
I'm finding it pretty hard to find out much about the history of internet movie marketing so I've put a few tweets out to see if anyone can help. Here are the tweets. This is, by the way, one of the many reasons I love Twitter. There are so many movie buffs out there and their knowledge, passion and desire to communicate astounds me. I'm just waiting for the day when I run out of movie buffs to follow but I hope that never happens.
Anyone know anything about the history of movie marketing on the internet?
— Pete Turner (@ilovethatfilm) June 17, 2013
Anyone know the first film to have a promotional website?
— Pete Turner (@ilovethatfilm) June 17, 2013
When did promotional movie websites become commonplace?
— Pete Turner (@ilovethatfilm) June 17, 2013
And as usual with the power of the internet, I got a response to one of these question almost immediately. How good is that? Love Twitter. Love the internet. Very grateful to @beckygracelea for the information. I recommend you go follow her for being awesome!
@ilovethatfilm Oddly, I do know this one - it was Stargate in 1994.
— Becky Lea (@beckygracelea) June 17, 2013
So Stargate eh? Freaky that I've just finished writing a Roland Emmerich retrospective for Filmoria too (to be published next week). You'd have thought I might have stumbled across this little nugget of information. Here is the proof that @beckygracelea was right:
"Stargate was the first movie to ever have an official website. It was set up by Dean Devlin in 1994 and featured images, trailers and behind the scenes clips and actor information."
So now my other questions still stand, what happened next, when did it become commonplace? Was Blair Witch really the one that made movie makers see the power of the internet as a marketing tool? Any help would be extremely generous and much appreciated!
Sunday, 12 May 2013
Blair Witch Book Just Got Really Real
For the past four and a half months, I've been hard at work on writing my first book to be published by Auteur in their Devil's Advocate series on classic horror films. My entry in this series will be on The Blair Witch Project and though I've been writing it for four and half months and already long ago signed a contract saying when I should be delivering the manuscript, it suddenly just got very real to me the other day.
For Christmas I asked for the Devil's Advocate book on Saw by Benjamin Poole so I could get a better sense of the writing style of this series of books and the kinds of things they cover. Not only was it an excellent book but it also filled me with new respect for the film and a renewed determination to do The Blair Witch Project justice with my own book. Also my old Film Studies teacher Ian Cooper from Amersham and Wycombe College and the guy who made me think being a teacher might be fun and even more so, made me fall in love with the subject has also written a book in this series on Witchfinder General.
Anyway after reading and loving the Saw one, I thought I'd buy James Rose's Devil's Advocate book on The Texas Chain Saw Massacre. James Rose is a writer who is constantly in Media Magazine, another publication I write for and his articles always interest me as I suspect we have similar taste in movies and interests. So I opened up my copy of the Texas Chain Saw book and what did I see as soon as I flipped over the first page? You'll have to excuse the crappy photo from my phone but yes that is my name under the heading Forthcoming. I got very excited. This makes it just that extra bit real.
Now I just have to finish writing the damn thing, then redraft it until its properly ready and then wait for it to be put together and published in a beautiful way. I can't wait to see what image gets used for the cover. Hopefully then it obviously sells millions and millions of copies, becomes a phenomenon like the film itself and makes me hugely rich so I can retire to a private island and just write about films for the rest of my life!
For Christmas I asked for the Devil's Advocate book on Saw by Benjamin Poole so I could get a better sense of the writing style of this series of books and the kinds of things they cover. Not only was it an excellent book but it also filled me with new respect for the film and a renewed determination to do The Blair Witch Project justice with my own book. Also my old Film Studies teacher Ian Cooper from Amersham and Wycombe College and the guy who made me think being a teacher might be fun and even more so, made me fall in love with the subject has also written a book in this series on Witchfinder General.
Anyway after reading and loving the Saw one, I thought I'd buy James Rose's Devil's Advocate book on The Texas Chain Saw Massacre. James Rose is a writer who is constantly in Media Magazine, another publication I write for and his articles always interest me as I suspect we have similar taste in movies and interests. So I opened up my copy of the Texas Chain Saw book and what did I see as soon as I flipped over the first page? You'll have to excuse the crappy photo from my phone but yes that is my name under the heading Forthcoming. I got very excited. This makes it just that extra bit real.
Now I just have to finish writing the damn thing, then redraft it until its properly ready and then wait for it to be put together and published in a beautiful way. I can't wait to see what image gets used for the cover. Hopefully then it obviously sells millions and millions of copies, becomes a phenomenon like the film itself and makes me hugely rich so I can retire to a private island and just write about films for the rest of my life!
Thursday, 27 December 2012
Splice Cinema Journal: Will Ferrell article
I have just received my copy of the Winter 2012 issue of Splice: Studying Contemporary Cinema journal. Volume 6, issue 2 is all about sports films and I was commissioned to write an article about the four sports movies Of Will Ferrell. I titled it Mockery, Masculinity and Misogyny: The Sports Movies of Will Ferrell. It deals with representations of gender in Kicking and Screaming, Talladega Nights, Blades of Glory and Semi-Pro.
This is the second article I have had published in Splice after my previous article on the recent trend of star documentary directors such as Michael Moore and Morgan Spurlock. Below you can see the covers of the two issues that I have been published in and the title pages of the articles I have contributed. I am now off to write my third article for the next issue on two very different prison films from the 90s.
Here is a snippet from the Will Ferrell article:
Splice is published by Auteur so if you want to subscribe, you can find their website here. For at least the next six months I will be in the process of writing my first book for Auteur to be published as part of the Devil's Advocate series. For Christmas, I received Benjamin Poole's book on Saw which I am looking forward to reading.
This is the second article I have had published in Splice after my previous article on the recent trend of star documentary directors such as Michael Moore and Morgan Spurlock. Below you can see the covers of the two issues that I have been published in and the title pages of the articles I have contributed. I am now off to write my third article for the next issue on two very different prison films from the 90s.
Here is a snippet from the Will Ferrell article:
'Will Ferrell frequently plays characters that
are either parodying traditional representations of masculinity and border on
misogynist and homophobic or he plays more progressive, sensitive and gentle
characters that provide a much more modern representation of men and their role
in contemporary society. Whether his
characters are traditional or progressive, the films are comedies and therefore
there is a great deal of parody and irony involved in the representation of
men. It is also interesting to examine
the role of women and homosexuals and references to these social groups in the
films as this can lead to further justification of the films as either misogynist
or more progressive texts.'
Splice is published by Auteur so if you want to subscribe, you can find their website here. For at least the next six months I will be in the process of writing my first book for Auteur to be published as part of the Devil's Advocate series. For Christmas, I received Benjamin Poole's book on Saw which I am looking forward to reading.
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