Showing posts with label comedy. Show all posts
Showing posts with label comedy. Show all posts

Thursday, 26 May 2016

Attack of the Werewolves - Blu-Ray Review



Feel pity for the low budget horror comedy.  Not only does it have to be scary, but it also has to make you laugh; it’s not easy to do either.  Evil Dead 2 nailed it where many others have failed.  Shaun of the Dead hits the funny bone, has a nice bit of gore but doesn’t try to scare you.  An American Werewolf in London balances mirth with mayhem like a professional but in general, horror comedies tread a too thin line between making us feel fear and making us chuckle; one is just bound to cancel the other out.

Following successful efforts of the last few years such as Tucker & Dale vs Evil, Rubber and Cabin in the Woods, comes a Spanish entry into the comedy-horror hybrid genre.  Re-titled from the original Lobos de Arga into Game of Werewolves (why?) and then finally to Attack of the Werewolves (does what is says on the tin), this film is almost as confused as the people tasked with giving it an English title.


Beginning promisingly with an explicit graphic novel style introduction featuring plenty of sex and death, the film then flashes forward to commence with the story of Tomás (Gorka Otxoa).  The animated opening sets up a small rural village and a gypsy curse that befell it a hundred years ago due to some raunchy hanky-panky and gratuitous murder.  In the present, Tomás is a writer from the village of Arga who left when he was fifteen to live in Madrid and is now returning for a celebration in his honour.  On arrival, Tomás learns that he has actually been invited back to the village so the locals can spill his blood and finally lift the curse.

The early scenes are slow and sadly humourless before the pace picks up, the sinister locals show their true colours and the film transforms into a jolly romp featuring more werewolves than you can shake a stick at (or throw a stick for, as one character tries to do).  The film fails spectacularly to approach scary but the comedy does emerge as the quirky characters find themselves under increasing threat.

The interplay between Tomás, his literary agent Mario and his old best friend Calisto is occasionally very funny with the relationships being strained even as the werewolves multiply. Their methods for dealing with the dangerous situation are comical at best, and silly at worst, but do raise frequent smiles. Watch out for a great scene involving alcohol, severed fingers and a dog. 


The introduction of new characters comes a little late in the game but one in particular, the Guardia Civil (Luis Zahera) manages to make a memorable entrance and despite limited screen time, gets the big laughs. It’s a shame he wasn’t introduced earlier.

The make up and effects are refreshingly old-school with the werewolves being quite impressive creations and the inventive gore being very effective. The transformations are skilfully shot and edited resulting in a package that often looks better than its budget deserves.

It’s just a shame the film takes a while to get going and the gag rate is so hit and miss. With a title like Attack of the Werewolves you know what to expect and if you’re just after a bunch of old-school hairy beasts that aren’t created through hideously bad CGI or turning into bare-chested pretty boys like Taylor Lautner every five minutes, then this might just be the film for your Saturday night with a six-pack. Then again it’s Spanish and subtitled so you might want to take it easy on that six-pack.

Anchorman 2: The Legend Continues Review



Knights of Columbus! The news team return in Anchorman 2: The Legend Continues after nine long years away. In keeping with the lengthy delay, this time it's the 80s; the hair is bigger, the music is arguably better and audiences of America are getting noticeably dumber. Can the second film be as instantly quotable as its predecessor?

Ron and Veronica are now married with an angelic little boy named Walter and co-anchoring the news from New York. Harrison Ford (in the first of one of many starry cameos) wades in as the station boss, quickly giving Burgundy the boot and Veronica a promotion. Six months later Burgundy has walked out on his family and is sozzled and suicidal at SeaWorld but soon called back into service by new 24 hour news channel GNN. Getting the old team of Champ, Brian and Brick back together is easy, but competing with the younger and better looking news teams at GNN is the tricky part.


In Anchorman 2, Burgundy, like Will Ferrell, is stuck in the good old glory days of the past and sadly often resorts to repeating himself. Scenes where he entertains kids while drunk, or ice skates suspiciously majestically or wrestles with vicious animals all feel familiar from previous Ferrell films. Anchorman 2 doesn't completely repeat everything that made the first film a success but it certainly doesn't feel as fresh as its predecessor. The anarchic delight of throwing any surreal improvised gag at the screen produces plenty of laughs but there are also plenty of lazy scraping the bottom of the barrel jokes.

While being incredibly silly, Anchorman 2 also dabbles with having something to say. With 24 hour news being the new name of the game and Ron desperate to gain bigger ratings than his new rival Jack Lime (a scene stealing James Marsden), the content of the show gets cruder, stupider and pointedly patriotic. Kittens, crack and car chases are the order of the day with Ron pushing the boundaries of what can be called broadcast journalism and helping to dumb down the entire nation Fox News style. The news team talk down to their audience and the flag waving patriots lap it up.


Anchorman 2 is actually best when  critiquing the decline of the news, parodying its graphics, stupidity and endless sensationalism, but on the other hand spends too much time in thrall to its idiotic central star.

Burgundy has a developing relationship with his young son, an extended period of blindness and isolation in a lighthouse and as a result the rest of the news team feel short changed. Burgundy's blundering ways with his African American boss (who inexplicably becomes his lady friend) and her family might give some good, if painfully obvious laughs, but the journey of Ron from selfish buffoon to responsible father detracts from the rest of the news team. Paul Rudd and David Koechner are underused and while Steve Carrell's loveable moron Brick gets a brilliantly silly subplot involving love interest Kristen Wiig, this is still very much the legend of Ron Burgundy, not the entire news team.

With Burgundy backed up by a supporting cast of crazy characters and cameos this good, it is a shame to waste so many moments on the pompous ass that is Ron Burgundy. If the legend continues in a 90s set threequel, more of Brick, Fantana and Champ and a little less Burgundy might not go astray.

Friday, 9 January 2015

The Interview Review

Is a film ever offensive enough to kill for? Apparently someone thinks so, but fortunately, the only real casualty of The Interview so far is Sony’s pride. The damage done by those exposed emails will likely be bandaged up nicely when The Interview eventually takes in a tidy profit from its online and cinema release.

When the presenter of dumbed-down celebrity interview show ‘Skylark Tonight’ learns that North Korean despot Kim Jong-un is a fan of his show, Dave Skylark and his producer Aaron decide to do what any journalist would do and secure an interview with the supreme leader. On discovering that they will be granted access to North Korea and its dictator, the CIA get Dave and Aaron to agree to assassinate Kim through poisoning him. Things become complicated as Dave begins a bromance with the madman he has been sent to kill and Aaron falls for a North Korean woman.


If you can’t already tell by the plot, The Interview is an incredibly silly film. From its opening Eminem cameo to its over the top tank vs helicopter finale, its frequently as dumb as its characters. Dick jokes, shit jokes, gratuitous swearing, casual racism, sexism and a splash of homophobia are all doused on the script making this a film aimed squarely at an audience that enjoys the juvenile side of life. Those looking for any smart satire need not apply or need to look very, very carefully and far beneath the thick layer of surprisingly bloody violence and unsurprisingly salty humour.

 It’s fun to see writer/director Rogen taking the straight role to James Franco’s off-the-chain dumbass extraordinaire. Their chemistry is fantastic, making it a shame when their simultaneous romances threaten to pull them apart. The Interview is basically a buddy comedy with Kim playing the Bond villain bad guy with some unexpected layers. It’s not worth killing anyone over but put it this way; if I was Kim Jong-un (or Katy Perry for that matter), both have good reason to be pretty fucking pissed with The Interview.

Watch the trailer:

Thursday, 18 December 2014

Dumb and Dumber To Review



In the 20 years since the first film, Lloyd has been playing the most epic of pranks on Harry, his partner in dumb. Since the end of Dumb and Dumber, Lloyd has been trapped comatose in a wheelchair while Harry has patiently come to see him, changed his diapers and waited for him to snap out of it. As Dumb and Dumber To begins, Lloyd delivers the mother of all ‘Gotchas’ as Lloyd reveals he has been faking... for 20 years! It’s an amusing start to a film that can now get away with telling a story 20 years on where neither of the characters has done anything of interest in the interim. It’s like returning directors the Farrelly brothers have dangled their rods, hooked us in the mouths and shouted a big fat ‘Gotcha’ of their own.


Harry needs a kidney from a family member so after realising that his Chinese parents are actually his adopted parents, he receives the news that he also now has a grown up daughter, Penny. Harry sets off to find this daughter with Lloyd in tow, not completely out of friendship but more because Lloyd thinks the girl is hot. So begins another cross country road trip as the pair try to reach a KEN conference that Penny is speaking at. She was also adopted and is now being entrusted with delivering a speech on behalf of her adopted professor father.

Much like the last film, there are baddies in tow who want something that the dumbass pair have got hold of, so the story is very similar. Not only that, but we also pop in on the blind kid next door, have recycled jokes straight out of the first film and almost exactly the opposite of anything you would call character development. Lloyd in particular comes across as a crass, selfish prick with even the likeable Jim Carrey unable to save him from being a bit of a monster in this sequel.


There are some funny moments but these are few and far between and rely on some pretty poor humour. Like the recent Horrible Bosses 2, many of the jokes are racist and sexist with the only thing making them palatable being the fact that the white guys at the centre are so stupid that they are the real butt of all the jokes. Unfortunately Dumb and Dumber To has little of the heart of its predecessor and even invites comparisons by including clips from the first film in the end credits. 

While Carrey and Daniels work typically hard for their laughs, the main problem with Dumb and Dumber To is that despite a few good gags, the story is stale and the script fails to keep the laughs coming. It’s not atrocious, but it is a lazy and almost entirely unnecessary sequel. Do yourself a favour and just watch the trailer for the best bits:



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Wednesday, 3 December 2014

St Vincent Review



Curmudgeonly old codger Vincent has money problems, drinking problems and likes to make matters worse by spending what little money he has on sleeping with a pregnant Russian prostitute and gambling on the horses. Just as Vincent is at his lowest, the recently divorced Melissa McCarthy comes crashing into his life by moving in next door with her 12 year old son Oliver. When little Oliver is the target of bullies, he ends up losing his keys and having to ask Vincent for help. So starts a deal between Vincent and the boy’s mother where she will pay him to look after the boy while she works all hours to pay the rent.


Bill Murray is on fire as the grizzled old geezer at the beating heart of this story. Of course there is a heart beneath the gruff exterior. Of course the boy will help to thaw his heart.  Of course he’s not as mean as he first appears. While the old guy and his new young charge begin bonding over breaking bullies’ noses, the supporting cast also get their time in their spotlight. Naomi Watts is saddled with a dreadful accent and Terence Howard is completely wasted but Melissa McCarthy gets to deliver a wonderfully warm and touching performance as the straight one in her odd couple pairing with Murray, nimbly stepping out of the shadow of her recent comedic tour de forces. 

So while St. Vincent is filled with some fine performances, big laughs from Bill Murray and decent drama, it’s all as predictable as you can imagine. Chris O’Dowd fights earnestly in a handful of scenes for the title of funniest guy in the movie but this is definitely Murray’s vehicle. It’s a bright and sunny, heart warming film that never dwells too long on its brief moments of tragedy. Everyone in the film is inherently good, an overly optimistic take on life that occasionally rings false and sugar coats proceedings to the point where you may want to gag a bit by the end.


By the time, Oliver is trying to convince the world that Vincent is a modern day saint, the gags have all but dried up but St. Vincent has earned some of its its heart tugging emotion. Debut director Theodore Melfi has done well to gather such an accomplished cast who are capable of eliciting laughs and tears, even if the writing is frequently a little too obvious. St Vincent isn’t one of Bill Murray’s best films but without him, it would have been a hell of a lot worse. 

What did you think of St Vincent?

Check out the trailer:


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