Showing posts with label mock-documentary. Show all posts
Showing posts with label mock-documentary. Show all posts

Tuesday, 8 December 2015

Top 10 Found Footage Horror Films



Found footage horror is a much-maligned sub-genre but with more and more of these films appearing in cinemas every year, there seems to be no sign of the technique running out of tape anytime soon.  Recent efforts have taken the horror out of found footage with the superhero themed Chronicle and partying teens of Project X but horror is still very much at the heart of the genre (just ask anyone who sat through Project X).  There may be more straight-to-DVD offerings than you could point a shaky camera at but the films that use the found footage aesthetic well, and in interesting and often new and exciting ways can be hugely profitable and offer audiences a unique and immersive thrill like few other horror films. Time to dust off those lost tapes and take a look at the best found footage horror films of all time.

10. TrollHunter (2010)

You’ll believe it when you see it ran the tagline for this Norwegian found footage oddity. Not quite, but the sight of giant trolls tearing through the countryside is made slightly more believable by the clever mythology and handheld camerawork of the documentary crew that decides to follow the titular troll hunter. On a low budget, director André Øvredal has his characters capture the fantastical sight of these awe-inspiring but ugly creatures as they attempt to make a documentary about Otto Jespersen’s grouchy Hans. Many argued the mock-doc format was getting old and stale by this point but the blend of impressive visual effects to create the trolls and the well-judged moments of comedy made up for the lack of genuine horror and left many with the feeling that there was life in the found footage film yet.


9. Diary of the Dead (2007)

George A. Romero’s second return to the original ‘Dead’ trilogy after Land of the Dead follows film students as they capture the beginnings of the zombie apocalypse. Using a range of found footage from news reports to webcams and videos uploaded to MySpace (remember that?), Diary of the Dead is a typical Romero film with plenty of blood, guts and subtext. With so many characters with cameras, it gives all new meaning to the idea of shooting the dead. There are also some great little additions to the found footage format with a scene where a character is filming while charging his camera at a plug socket and is therefore limited in his movements as zombies close in on him.  Romero seems to bemoan the rise of bloggers and vloggers taking over the airwaves as the mainstream media crumbles during the apocalypse. The jumbled transmissions of thousands of people with access to sharing their thoughts over the internet are more of a concern than the traditional shuffling zombies.


8. REC 2 (2009)

The only sequel on this list is a deserved entry into the found footage sub-genre with cops with helmet cameras attempting to survive in an apartment block full of repossessed zombies.  Following from its predecessor, the squad enters the quarantined Barcelonan apartment block to find more rabid, rapid zombies sprinting manically around the claustrophobic confines and we get front row seats, positioned as we are on the helmets of our heroes. It’s a mad rollercoaster ride of a film and just when the action seems like it might get a bit repetitive, we switch to seeing from the point-of-view of the camera of a group of kids who have made the fatal mistake of also entering the possessed residence.  Taking the story further than the first film and adding to the mythology can’t hide the fact that there is nothing that can compare to the terrifying final scene of the first film. But if you want the cinematic equivalent of a first-person shooter game like Doom, look no further!


7. Man Bites Dog (1992)

Ever wanted to get under the skin of a sociopath killer; find out what makes him tick, what he does in his down time between random slayings and the odd bit of rape? Well meet Ben, part time thief, full time psycho. A film crew follows him around as he robs, kills and rambles on and on about art, music and society. It soon becomes apparent that this film crew is becoming more than just documentary makers as they become embroiled deeper and more explicitly in Ben’s crimes. The line between watching and participating becomes increasingly blurred, implicating you in the audience as you keep watching this most realistic of Belgian mock-docs. Don’t be fooled by Ben’s apparently amiable nature, this is one sick puppy that bites as much as he barks.


6. Paranormal Activity (2007)

Arguably more influential than the number one film on this list, a couple of suburbanites Katie and Micah fall foul of a poltergeist/demon as creepy occurrences are caught on tape by Micah’s trusty camcorder. Bedroom antics are filmed for scares, not pleasure, as the nights get tenser with an unwanted entity attacking the pair in their bed. Filmed on a tiny budget and distributed by DreamWorks, this reminded young and poor filmmakers what could be achieved by the found footage horror genre when it’s done right. It started the biggest found footage franchise, out-grossing (but not grossing out) the Saw sequels and only just seems to have wrapped up with the (supposedly) final film in 2015.


5. Cannibal Holocaust (1980)

Banned until recently, this is easily one of the sickest, most despicable films you will ever see. So realistic the director was nearly tried for murder, Ruggero Deodato eventually had to bring his cast out of hiding to face the media so that the authorities would really believe he hadn’t killed them. How could a film be this realistic? Well, this is where found footage really began. After a team of morally challenged documentary makers disappear in the Amazon, their footage is later recovered. What the rolls of film reveal is that the local tribes didn’t take too kindly to having their homes destroyed by the documentary makers who were craving a bit of sensationalism. The inclusion of real scenes of animal cruelty makes this extremely hard to watch and deeply disturbing but if that doesn’t upset you enough, try the grueling and realistic depictions of abortion, rape and castration. That should do it.


4. Cloverfield (2008)

When a giant rampaging beast (think Godzilla but scarier) hits the streets of New York, ruining the leaving party of young professional Rob, his best friend Hud decides to document the night on camcorder. Taking the imagery of 9/11 - crumbling buildings, severed landmarks, dusty streets and a city in panic – and keeping the amateur aesthetic of so many 9/11 YouTube videos is exploitative but incredibly exciting. Director Matt Reeves (Let Me In) and writer Drew Goddard (The Cabin in the Woods) care little for the flimsy characters but Hud’s cinematography mixed with the destructive power of a truly awesome monster keeps you on the edge of your seat until the explosive climax.


3. REC (2007)

A TV presenter and her camera operator get more thrills than they bargained for when they follow a crew of firefighters into a zombie infested Barcelonan apartment block.  Quickly quarantined by the authorities, the fire crew and the presenter must work with the residents in order to stay alive while the camera operator keeps filming. These aren’t the shuffling zombies of Romero’s films; these are the speedy, terrifying zombies of modern horror. Think 28 Days Later but all shot by one of the characters in the story and all trapped in one claustrophobic location. The final scene filmed in total darkness with only the night vision camera allowing the characters to see is one of the tensest and scariest things you will ever witness.


2. Zero Day (2003)

Based on actual tapes created by the Columbine high school killers, two teenage boys create video diaries capturing their preparation for a school shooting massacre. The footage they produce is a scary, fascinating portrait of the banality of evil. These two kids are close friends, a little introverted and insular but pretty normal. But they are planning an unspeakable crime and are documenting their thoughts and actions as they prepare for their big day. It’s a worrying insight into how two seemingly normal teenagers can deceive the world and consider committing a terrifying act without a care for the consequences. Switching from their own camcorder captured footage to the CCTV in their school for the final scene, it’s a bleak, chilling reenactment of a frighteningly real phenomena. 


1. The Blair Witch Project (1999)

In October of 1994 three student filmmakers went down to the woods near Burkittsville, Maryland, while shooting a documentary… the rest is cinematic history. Heather, Mike and Josh get lost, hungry and scared in their quest to get to the bottom of the Blair Witch mythology. Roaming in circles with no way out of the woods, they are surrounded by strange noises in the night as they try to sleep.  Then objects appear outside their tents, the sound of distant children crying wakes them and then one of the students disappears. Though the witch might never be seen, less is definitely more in this most influential of found footage films. The actors really shot the film themselves and with the directors only giving minor instructions and the actors’ genuine hunger, frustration and fear burn through the screen. One of the scariest films ever made. Please consider buying a copy of my book on The Blair Witch Project here.


5 others to find if you’re not feeling sick of shaky-cam action:

Paranormal Entity 2 a.k.a Gacy House (2010) See this if you loved Paranormal Activity.
The Magician (2005) See this if you loved Man Bites Dog.
Exhibit A (2007) See this is you loved Zero Day.

The Last Exorcism (2010) See this if you loved REC 2.

The Last Broadcast (1998) See this if you loved The Blair Witch Project.

Sunday, 16 August 2015

Screening The Blair Witch Project in the Middle of the Woods

What are they... nuts?

As much as I love The Blair Witch Project, I'm not sure I'm ready to watch it in the middle of some woods on a dark night. But that is exactly what the Friends of Langley Park have proposed that you come along and do on Sunday August 30th 2015. You can book tickets here, if you think you're brave enough.

I don't know how many times I've now seen this film, what with writing a book about it, and it being one of the primary focus films of my PhD thesis. I must have seen it at least 30 times and I still don't think I'm ready to watch it in the middle of the forest, even if I am surrounded by a bunch of other people stuffing popcorn into their mouths.


On the other hand, this sounds like THE perfect way to watch this film and there is absolutely no way that I'm going to miss this opportunity. OR, if I don't feel like forking out £20 for a ticket in order to watch a film that I've already seen at least 30 times, then I may just hide in the woods nearby the screening spot and blast out the sounds of babies crying and distant cackling in order to REALLY give the audience the FULL Blair Witch experience.

In fact, the only thing that could make this screening better, is if they made you camp in the woods overnight after the film finished. Could you imagine the amount of urine that would be spilled in the tents that night?

The park is here and the price is £20 and if you ask me, this sounds like the best way to spend a summer evening at the end of August so get your tickets here!

Once you've booked your tickets, and if you have another tenner to hand, please consider picking up a copy of my book about The Blair Witch Project here. It's really good, honest. If you don't believe me, then check out these reviews!

I hope to see some of you at the screening! Bring spare underwear.

Wednesday, 25 March 2015

15 Things You Probably Didn’t Know about The Blair Witch Project

My book on The Blair Witch Project has taken me about two years to research and write. Now it's available to buy online here,and to tempt you, here are 15 things you may not have known about the film.



1. The Blair Witch Project made nearly $250 million worldwide at the box office, which is nearly 10,000 times its production budget.

2. The Blair Witch Project started as an idea, referred to by the directing duo as far back as 1993 as The Woods Movie. The directors Eduardo Sanchez and Daniel Myrick took the seed of this idea and wrote a script that was only 35 pages long.

3. Far bigger budget horror efforts such as Sleepy Hollow (1999), The Haunting (1999) and End of Days (1999) could not compete with The Blair Witch Project’s box office draw, even with the likes of Johnny Depp, Arnold Schwarzenegger and the promise of bucket loads of CGI crammed into the trailers.


4. When an eight minute teaser of The Blair Witch Project was screened on television without revealing to the audience that it was fake, a detective called in to offer his help in finding the ‘lost’ filmmakers.

5. The Blair Witch Project was originally conceived of as a more traditional mock-documentary with the footage shot by the actors only meant to feature in the last part of the documentary on the curse of the Blair Witch through the ages. It was only after the footage Heather and Mike filmed was returned to the directors and editing had begun that the idea to use only this footage in the feature was initiated.

6. The Blair Witch Project even beat the following films at the box office: Tom Hanks in The Green Mile, nineteenth Bond film The World is Not Enough, Richard Curtis rom-com Notting Hill and Will Smith blockbuster Wild, Wild West.


7. There are many stories reported of people travelling to the town of Burkittsville where the events of the film take place in order to search for the students. Since then, fans of the film have repeatedly stolen the Burkitsville ‘welcome’ sign.

8. According to Sanchez, ‘the original budget to get the film in the can was probably between $20,000 and $25,000. Then, once we got to Sundance to make a print and do a sound mix, we were probably more in the neighbourhood of $100,000’ (Young, 2009).

9. They even bought one of the cameras then shot the film and returned it in time to get a full refund.


10. When it was bought by Artisan Entertainment at the Sundance Film Festival, they spent another half a million dollars on it. According to Sanchez, ‘they did a new sound mix, and they had us re-shoot some stuff. They didn't like the original ending with Mike standing in the corner. They asked us to shoot some new endings — Mike hanging by his neck; Mike crucified on a big stick figure; Mike with his shirt ripped open and all bloodied. We shot them but ended up staying with our original ending. So the budget of what you saw in the theatres was probably $500,000 to $750,000’ (Young, 2009).

11. On making it past the deterrents, those continuing into the actual audition found themselves thrown into an off-the-cuff improvisation, according to actor Joshua Leonard (Mannes, 1999). The directors would immediately say “You’ve been in jail for the last nine years. We’re the parole board. Why should we let you go?” Those that could not spring into character in an instant were shown the door.

12. Instead of having the directors with the actors on location, Myrick and Sanchez would leave mysterious bundles, rock piles and stick figures around for the cast to discover. They would slime the backpacks of the characters and make frightening noises in the night, at one point even attacking their tent to scare the cast. This approach was also based on producer Gregg Hale’s military training. Hale had been through Survival, Evasion, Resistance and Escape (SERE) training whilst in the army that involved four days of being chased by American soldiers pretending to be hunting for him. He spoke of his terror despite knowing that soon the ordeal would be over and that the soldiers were simply playing a part.


13. The directors had programmed ‘escape routes’ into the GPS systems and after 24 hours of rain, the cast decided to use one. They ended up at a house where Donahue reveals they were invited in for hot cocoa and got to use a real toilet (Lim, 1999).

14. By the last two days of the shoot, Heather and Michael, the two remaining cast members, were only being fed a single Power Bar and a banana per day.

15. The directors had to cut 20 hours of raw footage down into an 80 minute film.

Let me guess... you probably did know some of those. Well I'm sorry but I had to convince you to read it somehow. Anyway please consider buying a copy of my book here

Thursday, 20 November 2014

What We Do in the Shadows Review


Viago, Deacon, and Vladislav are three vampires living together in a flat share with their 8000 year old housemate Petyr. Attempting to cope with modern life in New Zealand is a bit of a struggle for these out of touch and lost in time bloodsuckers. When a documentary crew decides to take the unenviable task of capturing the vampires’ preparations for the annual undead get together known as The Unholy Masquerade, things start to unravel.

These vampires are hilariously having to deal with the ordinary trials of sharing a flat; paying the rent, doing the bloody dishes and trying to socialise in the local nightclubs. However, they also have to catch their prey, drink their blood and avoid too many run-ins with the gang of werewolves that also roam around their town.


Don’t worry though; even with vampires facing off against werewolves, this is a million miles away from Twilight. When the 8000 year old mute Petyr who lives in the basement turns ordinary 20-something year old guy Nick into a vampire, the more experienced vamps must help Nick to adjust to his new life as an immortal fanged creature of the night. In turn, Nick invites his very much not-dead-mate Stu to hang out with the vampires so that he can help them to learn more about the ways of the modern world.

What We Do in the Shadows is a little hit and miss. The mock-documentary format has been done to death from This is Spinal Tap to The Office but it still manages to throw up plenty of laughs here. The extraordinary elements of the vampires is constantly undercut by their talking to camera and worrying about trivial things. There are plenty of awkward moments as the vampires are revealed to be little more than bickering manchildren, completely trapped in their old ways but always facing a world moving on without them. Though the central trio range from 183 to 862 years old, they are still just silly, selfish and narcissistic little boys.  


When the young Nick and his mate Stu come into their life, it shakes things up, particularly as Nick runs around telling people he is a vampire (attracting the attentions of a vampire hunter) and Stu remains very much undead. That’s it as far as plot goes. What We Do in the Shadows is much more about characters and giving the conventions associated with vampires as much of a ripping as possible. 

These vampires hilariously fight with werewolves, have troubles getting ready for nights out without being able to see their reflections and even fight amongst themselves by turning into bats and batting heads. Their frequent references to vampire films of the past such as The Lost Boys, Blade and Twilight will undoubtedly delight fans of the genre. 


When it’s funny, it is really funny. However, not all the jokes puncture the jugular, meaning What We Do in the Shadows is likely to remain in the shadows and unseen by a wide audience. Still, with this, Only Lovers Left Alive and A Girl Walks Home Alone At Night all being released this year, anyone worried that Twilight and Dracula Untold had driven stakes through the heart of decent vampires film should breathe a little sigh of relief.

More from I Love That Film:

What We Do in the Shadows Trailer

More reviews from I Love That Film

Tuesday, 18 November 2014

Why I Love Cloverfield

There is a lot of nonsense in Cloverfield. Beyond the fact that a giant alien monster creature lands in Manhattan and trashes the entire city, there are also a great deal of puzzling narrative missteps. The story might have its flaws and the characters are not much to write home about but this is a film where style is king and wow is it a breathless ride.


Director Matt Reeves created something truly visceral, immediate and immersive. If a monster did land in Manhattan and someone was there to film it, this is what it would be like. It clearly borrows (some would argue highly insensitively) from the horrific amateur videos of 9/11 that were broadcast on the news, in documentaries and have now found their homes on YouTube. The destruction of buildings and iconic landmarks, dust covered streets and people, and the emergency services seeming completely out of their depth are all recognisable elements from the handheld home videos of people who grabbed their cameras on September 11th 2001.

Found footage films often have a problem with believability despite their aesthetics being designed to convince you of their veracity. The main problem is that no one believes that a character would keep filming when faced with imminent danger and especially the very real prospect of their own demise. However, this is another area where Cloverfield excels. In giving the duty of camera operating to funny guy Hud, the audience can totally buy in to the idea that this guy just wants to keep filming. First he is reluctant when offered the job of documenting the leaving party of Rob. Then he quickly finds it fun and assumes the responsibility that has been handed to him. Even after the party is rudely interrupted by a giant monster tearing off the head of the Statue of Liberty and throwing it down a street, Hud decides it is still his duty to document the events in which he finds himself a participant.


His continued filming is completely believable. In light of all the videos from 9/11, we know that people desire to film and share this kind of extraordinary footage. Like Hud says, people WILL want to see how it all went down. His reactions from behind the camera feel real. He screams, repeats his cries to God over and over again, and his confusion and fear are constantly palpable. His filming is not the work of a calm professional but instead the haphazard flailing of a terrified individual.

Like Heather from The Blair Witch Project who was determined to keep making that goddam documentary even when she was losing her mind, (SPOILER SPOILER SPOILER!!!) Hud keeps filming right until his death. His last surviving friends realise the importance of the camera in capturing their legacy and record their last messages to the world before being blown to smithereens. It's a wonderfully bleak ending that leaves the audience to decide if the bombing actually managed to kill the monster. In a final bit of bitter irony, the previously recorded Coney Island day trip of lovers Rob and Beth flashes up on the screen as Beth says to camera 'I had a good day'. If you look carefully, you will see something crash into the ocean in the distance. It's a perfect bit of non-linear storytelling that ends the film on a deeply sad note (even if you don't care much for the hipster characters) by taking us back to the beginning of the story just as all is lost.


For all its flaws, I love Cloverfield nearly as much as I love The Blair Witch Project. Forget any versions of Godzilla, Cloverfield is the definitive monster movie of our generation.

More from I Love That Film:

Buy my book on The Blair Witch Project

Deconstructing Cinema: Cloverfield

Characters With Cameras 

Results for the Best Found Footage Film 

New York at The Movies

Tuesday, 11 November 2014

What if David Brent Became a Vampire: What We Do in the Shadows Trailer

Decent vampire movies are making a serious comeback after nearly being staked right through the heart by the bloody Twilight franchise. First up this year there was Jim Jarmusch's Only Lovers Left Alive, then I got to see a little gem at the London Film Festival called A Girl Walks Home Alone At Night and then tonight I get to see mock-documentary What We Do in the Shadows.


It just goes to show that even after the moping, preening, sparkling vampires of that unholy tween franchise, films featuring bloodsuckers will really never die. This horror sub-genre is as immortal as ever and enjoying a witty and original renaissance.

What We Do in the Shadows is from the guys who brought us Flight of the Conchords and Eagle Vs Shark so expect much hilarity to ensue. The trailer looks brilliant, with its last line being a particularly funny look at what I imagine David Brent from The Office would be like if he joined the legions of the undead.

Check out the trailer below:



More Trailers at I Love That Film

Reviews at I Love That Film

London Film Festival 2014

Buy my book on The Blair Witch Project

Videos from I Love That Film