Showing posts with label colin firth. Show all posts
Showing posts with label colin firth. Show all posts

Wednesday, 28 January 2015

Kingsman: The Secret Service Review


When super spy Harry Hart loses a member of his team in the late 90s, he makes a promise to look out for the young son of the man who died trying to save him. Seventeen years later, Eggsy is a wayward teen with a permanently distraught mother and violent scumbag of a step father. When Eggsy is arrested for stealing a car, Harry Hart seeks out the troubled youth and offers him the chance to become a part of the mysterious and super secret spy agency known as the Kingsman. Seeing what Harry Hart can do, the gadgets he uses, and the class he oozes, Eggsy agrees to sign up to the competitive training regime that could see him taking on billionaire lisping megalomaniac Valentine (Samuel L. Jackson).

It is very clear from watching Kingsman that director Matthew Vaughn is not ready to give up on directing a Bond film yet. Whether he will ever get the gig in the future on the back of this film is very questionable. Kingsman is more like the film we would get if Tarantino ever gets to make a Bond film. It’s self-referential and smart, has a brilliantly foul mouth and is uber-violent from start to finish. Not to mention the fact that it takes an outsider’s perspective on Britain and fills the film with stereotypes of the class system, from the stiff upper lipped suited gents of the Kingsman to the ‘yeah bruv’ yoof of working class ladland.

Early contender for best scene of the year?

Kingsman takes great pleasure in pinching from Bond films, while giving tradition a good shake up. Valentine’s lisp, blade footed hench-woman and mountain lair all feel like they border on homage and parody, whereas other moments indulge in characters talking conventions before shockingly subverting what audiences have come to expect in these films.

To take the Tarantino comparison further, Matthew Vaughn really knows how to revel in the joy of a good splash of ultra-violence. The scene where Firth’s skilled spy is unleashed on a church congregation to the sounds of Lynyrd Skynyrd’s Freebird is one of the most excitingly executed, thrillingly shot and edited and funniest massacres in film history. Nothing in the rest of the film can touch it, but that doesn’t stop Vaughn from trying.


With its cast including Colin Firth, Mark Strong, Michael Caine, Samuel L. Jackson and Mark Hamill, it’s a wonder that Taron Egerton even gets a look in as Eggsy. Doubters may think that he is a poor man’s substitute for the swagger and savagery of Jack O’ Connell but Egerton emerges as a winning choice to hold the film together, charming with his sly grin and convincing with his way with an umbrella.

Though there is a worrying undercurrent of upper class superiority and even scepticism about those who campaign  about climate change, if you can cast those niggling fears aside, there surely won’t be a more gleefully violent film than Kingsman this year. 

Watch the trailer:



More recent reviews:
Big Hero 6
Wild
Whiplash
Testament of Youth
The Theory of Everything
American Sniper

Saturday, 4 January 2014

The Railway Man Review

The Railway Man is a film of two very distinct halves; one half set in the gloomy 80s of the UK on windswept beaches and stuffy train cabins and the other in the hot and humid Thailand of World War 2.


Colin Firth plays real life war veteran and traumatised survivor of torture Eric Lomax who meets lovely Patricia (Nicole Kidman) on a train and immediately falls in love with her. After the pair marry, it becomes increasingly clear Lomax is still dealing with demons from his past and flashbacks ensue to reveal how the young Lomax (Jeremy Irvine) survived being imprisoned, tortured and made to work on the notorious 'Death Railway' by his Japanese captors.

The Railway Man is best when it's at war and though Firth, Kidman and Stellan Skarsgard all deliver fine performances in the terribly British post-war scenes, it is Irvine's performance as the young Lomax and the tension, drama and brutal treatment of the soldiers in World War 2 that makes this story truly gripping. You'd be forgiven for thinking you were going to get a Brief Encounter-ish love story from the start of the film and it is only when Firth's Lomax starts to crack that the film gets really interesting.


Kidman's Patricia has to work hard to get under Firth's stiff upper lip and goes to his friend and fellow survivor played by Skarsgard in order to elicit the truth about Lomax's experiences and finally break all the war veterans' code of silence. As the tale is told and the film builds to its scenes of torture, it is horrifying and driven mostly by Irvine as the young Lomax.

The Railway Man eventually becomes a great companion piece to Mandela with its story of imprisonment and forgiveness. When the older Lomax eventually finds out that his torturer is working for a war museum, he travels to Thailand to let out all that rage and resentment and have his revenge. This final part of the film may not be quite as riveting as the war scenes but it does give Firth and Hiroyuki Sanada a great face off and an unexpectedly emotional pay off.


The film ends with real life photos that show just how true the story is, making it a very inspiring and ultimately emotional tale.

On a side note, I visited the museum and bridge featured in the film when I was in Thailand in 2007. It was very strange to see Firth stood on the bridge and also to see the real life photos of Lomax and Nagase on the very same bridge. It has made me want to return there one day as I suppose the film has given me a better understanding of what went on in World War 2.


More reviews from I Love That Film:

The Hunger Games: Catching Fire

Don Jon

Machete Kills, The Conspiracy, Snitch and more

Ender's Game

Sunshine on Leith