Films on a Plane, I can't complain

Travelling to New York on Virgin Atlantic has made me realise what I'm missing out on every time I've taken a Ryanair or Easyjet flight.  Endless Pepsi's and a huge list of films to choose from on demand to be watched on a little screen embedded in the chair in front of me.  Good times!  Never has seven hours on a plane flown (haha) by so quickly.  And that's coming from the world's most (understandably) nervous flyer. 


I had the choice of Drive, Tintin, The Ides of March, The Inbetweeners, The Skin I Live In, Tinker Tailor Soldier Spy and many many others.  Some I'd already seen and many more I was desperate to see.  Having waited this long to see Drive, there was no way I was going to have it spoiled by interruptions from the pilot, a crappy small screen or one of the 31 students on board freaking out and requiring assistance.  Instead I went for films that I hadn't hyped out of all proportion and that would hopefully not lose much of their impact on a very small screen.  So on the way way to New York, here's what I watched and a short review:

Contagion (Steven Soderbergh, 2011)

Killing Oscar winning actresses left, right and centre is one way to make a story unpredictable and Soderbergh does his fair share here.  When a deadly virus sweeps the world, an ensemble of acting talent deal with the threat of infection in different ways.  Winslet tackles it head on, Paltrow just dies, Damon protects his daughter by locking her indoors and Law blogs about the possibilities of a cure.  Realistically creating the near-apocalypse and the government response but also finding time for quieter, sweeter moments as ordinary people struggle to survive, Soderbergh makes a pretty conventional movie that is both entertaining and engaging.

Martha Marcy May Marlene (Sean Durkin, 2012)

Another indie with a bit of a non-ending (see also Like Crazy), this demands to be seen for Elizabeth Olsen’s brave and committed performance as a young girl, Martha, who is struggling to come to terms with her former life in a cult.  With a wonderfully non-linear narrative that flashes back and forth in time between Martha’s life in the cult and the time she spends later with her sister, it never feels confusing and finds consistently excellent ways to cross the time gap.  Olsen is perfect and the script is ambiguous in its portrayal of the leader and members of the cult and the more ‘normal’ characters that Martha ends up with.  Haunting and beautiful with great performances, the final scene might annoy even the most devoted indie fans of open endings.

Tower Heist (Brett Ratner, 2011)

Deeply average caper about the service workers in a tower block who are scammed out of their pensions by the rich bastard who lives at the top of the tower.  Rarely funny enough to warrant belly-laughs and not emotional enough to make you really care for the characters, it is predictable and mildly entertaining.  However it is a total waste of the talent (Stiller, Affleck, Alda, Sidibe) and a disappointing ‘come-back’ for Murphy.  At least while in New York we got to see the Trump tower which was used for the exterior shots of the building where the heist takes place.  So that was nice.

Then on the flight home I was too knackered to watch anything except Moneyball.  Great film but what a shame I wasted free access to all the other films I wanted to watch.  Overall what I have learnt is that if you are a nervous flyer, go with Virgin and enjoy all the cinematic fruits that they have to offer!

And is it me or do they not cut films for planes anymore? I thought they all had to be PG rated when shown on planes but this seems to no longer be the case or I just made that up in my head.  You decide...

New York at The Movies

The city so nice, they named it twice.  Concrete jungle where dreams are made.  The Big Apple.  The city that never sleeps.  There's only one New York.  Capital city of the world.  Home to the Bronx, Manhattan Island, Queens, Wall Street, Tribeca, the Knicks, Woody Allen, what was the World Trade Centre, the Empire State Building, Times Square, The Statue of Liberty, Brooklyn and Central Park.

Taking 31 media and performing arts college students to the great city on Monday presents many challenges but it's always a priviledge to walk the streets of one of the most filmed cities in the world.  With a 3 hour tour of film and TV locations, it's also a chance for me to reflect on some of my favourite 'New York' movies.

The French Connection (William Friedkin, 1971)  Working class, alcoholic, determined but bigoted New York cops Vs gentleman French upper class drug dealers in an incredibly gritty New York of the early 70s where you could walk in a bar and every guy in there would be carrying knives or drugs.  Gene Hackman gives a great un-starry performance as Popeye Doyle giving full commitment to the role including doing much of the driving for the still nail-biting celebrated car chasing a train sequence.  Very unexpected ending too.

Taxi Driver (Martin Scorsese, 1976) More scum needing sweeping from the streets with another icon of the 70's doing the dirty work.  This time De Niro gets tooled up, shaves his head, taunts a mirror and takes on the pimps to save a young prostitute.  So far, New York looks like a pit of depravity so let's move on.

Manhattan (Woody Allen, 1979) The first Woody film I've actually really liked.  How things have changed in the few years since Taxi Driver with this tale of middle class, intellectual art buffs bed hopping to the sounds of Gershwin.  New York is suddenly transformed in my eyes to a beautiful, wealthy playground for the priveleged few who only have to be concerned about the next art gallery they will visit and the next partner they will screw.  Great opening shots of the city and Allen at his most witty and honest.  Self-indulgent but romantic, funny and moving.

Ghostbusters (Ivan Reitman, 1984) Featuring the opening in the New York public library that also provides refuge for the cast of The Day After Tomorrow and ending with the giant Marsh Mallow Man trashing the streets of New York, this film and it's sequel are filled with iconic New York imagery.  The Statue of Liberty is even made to walk the streets in the sequel.  What could be more New York?

Do The Right Thing (Spike Lee, 1989) One hot, hot summer day in Bed-Stuy, Brooklyn as temperatures and tempers soar and racial tensions simmer before boiling over.  Mostly complex characters, a difficult message and challenging represntations for many viewers, it's a film that requires repeat viewings to appreciate it's depth.  Apart from the 'evil' cops, there are no good guys or bad guys here, just ordinary people figuring out what the 'right thing' to do is.

Kids (Larry Clark, 1995) Shocking, depressing look at the lives of New York kids wandering the streets, spreading Aids, taking drugs, screwing each other literally and figuratively.  It's a diffincult and at times disgusting watch.  Director Larry Clark is a strange director who lingers on young flesh in disturbing ways and there is often the sensation that his documentary style is revelling in the antics of his young cast.  Nevertheless the film has a powerful, shocking end that delivers a hard-hitting message.

Requiem for a Dream (Darren Aronofsky, 2000) Set around the former glory but now decaying sights of Coney Island, the cinematography and editing in this film grip you from the very start even if the downright depressing tale of the downward spiral of a group of drug addicts doesn't.  Bleak but beautifully shot, it makes Coney Island look worth a visit. 

Elf (Jon Favreau, 2003) The typical representation of New York as a pretty hostile place, especially when it's people are confronted by a bit of a wierd looking outsider (see also Borat) is clearly demonstrated here.  Buddy arrives to find out his Dad (who works at the Empire State Building) is on the naughty list, the yellow cabs don't stop, the gum on the sidewalk isn't free candy and snow fights and horseman rangers are a risk in Central Park.  This list had to include a Christmas in NY movie.

Enchanted (Kevin Lima, 2007) I hate musicals but when Amy Adams' lost princess breaks into song, it's enchanting, hilarious and the sequence in Central Park is a spellbinding showcase of what makes this oasis of green in amidst the grey jungle of the rest New York so truly wonderful.  Amy Adams is sweet, funny and beautiful and Central Park becomes a magical place when she sings and the crowds dance along to her tune.  It's enough to make the hardest New Yorker's heart flutter.  Check it:

Cloverfield (Matt Reeves, 2008) Shamelessly riffing on 9/11 imagery, this could easily be seen as a tasteless 9/11 exploitation movie.  And it is.  But unfortunately for any people still senstive to the tragedy, it's also a great little monster-movie that shows New York under attack from God-Knows-what.  The handheld camera technique is used brilliantly and the destruction of New York is incredibly visceral and frighteningly real.



Honourable mentions must go to; Spiderman and particularly the original trailer that had Spidey catching crims with a web slung between the Twin Towers, and Wall Street and the greed is good excesses of two Sheens and Michael Douglas' still relevant evil bastard Gordon Gekko.

Also a quick shout must go to Rage Against The Machine's Michael Moore directed music video for Sleep Now in the Fire in which they occupy Wall Street way before it became the in-thing to do.  See it here: