Trolls was the Family Gala film at the 2016 London Film Festival and was released in UK cinemas in October. Surprisingly, it's not as bad as it sounds. Read my full Trolls review at Starburst Magazine here. Here's the synopsis:
Justin Timberlake’s Branch is the only Troll with an understandable sense of
unease that dreaded monsters the Bergens are desperate to find the
eye-poppingly bright community of trolls living blissfully carefree in
the woods. Twenty years earlier, the Trolls escaped the clutches of the
Bergens, who are such a bunch of miserable creatures that they can only
find happiness when they eat the multicoloured-haired Trolls. Branch
warns his fellow trolls not to have parties full of loud singing and
glittery fireworks, but will the irrepressible Princess Poppy and the
other trolls listen?
No, they bloody won't, the annoying little buggers. No wonder Branch
is miserable and hiding in a hole in the ground. So when the Bergen head
chef finds the trolls and carries some off to Bergen town to turn into
tasty treats, Poppy must enlist Branch to help her in rescuing her
friends so that they don't miss out on anymore scheduled hug times,
singing, dancing, and lest we forget... scrapbooking.
Read more of my Trolls review at Starburst Magazine.
Here's the trailer:
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Showing posts with label animation. Show all posts
Showing posts with label animation. Show all posts
Thursday, 3 November 2016
Tuesday, 22 March 2016
Zootropolis Review
Zootropolis is going up against Metropolis this weekend. Are these bunnies nuts or what? Despite a name change from the American title Zootopia, the film has already racked up huge dollar at the box office elsewhere ($200 million in the US alone), so maybe Batman V Superman V Zootropolis isn't such a bad idea after all. It might be going up against DC's finest, but it's got the Easter holidays on the way to keep kiddies entertained. Here's a snippet of my review:
It's a brave move to make a kids film where there is a montage of the do-gooder main character dishing out 200 parking tickets. Zootropolis could have done without this scene, but impressively it manages to make its leading bunny likeable, no matter how many other Zootropolis-dwelling animals’ days she ruins by slapping them with a fine.
It's a brave move to make a kids film where there is a montage of the do-gooder main character dishing out 200 parking tickets. Zootropolis could have done without this scene, but impressively it manages to make its leading bunny likeable, no matter how many other Zootropolis-dwelling animals’ days she ruins by slapping them with a fine.
Judy Hops (Ginnifer Goodwin) is the bunny
tasked with parking duty, after she works her fluffy little tail off to
get out of her small town, get herself through police academy and
finally live her dream of tackling crime in the big city of Zootropolis.
Judy is a dreamer, determined to leave her carrot-farming folks behind
and be the first ever bunny police officer. But life in the city isn't
quite how Judy imagined it would be, and she is forced to team up with
streetwise hustler fox, Nick Wilde (Jason Bateman), to unravel the
mystery of some missing mammals.
Read the rest of my Zootropolis review at Starburst Magazine.
Here's the trailer:
Wednesday, 28 January 2015
Big Hero 6 Review
San Fransokyo teen Hiro uses
his technical wizardry to hustle his way to winning in illegal robot
fighting matches. His brother Tadashi recognises Hiro’s genius for robot
building and encourages him to take up a place at the ‘geek school’ for tech
whizzes where Tadashi has built huggable big nurse ‘bot Baymax. When a tragedy
befalls Hiro’s family, he must band together with Baymax and other allies from
the school to take on a mysterious masked figure who is using Hiro’s microbot
invention for his own nefarious purposes.
This Marvel-Disney mash-up
looked insufferable from the brightly coloured and barely coherent trailer so
it is a pleasure to report that Big Hero 6 is a surprisingly heartfelt and exciting
family movie. Baymax might look designed to simply sell a shed load of merchandise,
but he is actually the film’s true wild card. While the rest of the characters
pass by in a blur of colourful enthusiasm, but will linger as long in the
memory as the flavour of bubblegum lasts, Baymax really is a keeper. It is
amazing how much the big ‘bot manages to swipe your heart away, even if many of
the best moments are half swiped and rejigged from the poignant moments between the young
John Connor and his robot pal, the T-800 in Terminator
2.
Nevertheless, it may not be
hugely original but Big Hero 6 is the most exciting animated action film since
The Incredibles. When Hiro and his team face off against the villain, the
stakes are high, but more importantly the idea of revenge makes Hiro himself
into the most riveting character on screen. There are huge set-pieces, some
decent laughs, but the best thing about Big Hero 6 is the ultimate question of
whether Hiro will really be a hero or if his thirst for revenge will get the
better of him.
Most impressive is the fact
that Big Hero 6 balances its origin story perfectly with the introduction of its
super-villain. There might be some awkward exposition to begin with, but its
snappy enough that the story pieces together like a well constructed robot with
a heart as big as Baymax’s.
Watch the trailer:
More recent reviews:
Wild
Tuesday, 4 November 2014
Minions Trailer Guarantees Toy Sales
Little yellow bastards. The Minions from Despicable Me 1 and 2 have taken the world by storm so it was inevitable they would be given their very own spin-off film. They spout gibberish, they look cute and they are about to become the biggest selling toy at Christmas no doubt and that will be at least six months before this film even comes out.
I'm sorry but I'm fairly unmoved by the Minions. Much of the trailer seems to brush through a quick history of the minions from dinosaur days to almost present day New York. They are always looking for their very own despicable master to serve which has taken them through T-Rex to Dracula and will eventually lead them to Gru.
Despite my lack of love for the minions, it all looks pretty funny in an oh-so-cute and charming way. More importantly, Michael Keaton, Jon Hamm, Sandra Bullock and Steve Coogan have all signed on for quick and easy pay cheques so here's hoping there is something more for the cynical old farts like me.
Here's the trailer:
Are you sold?
More trailers from I Love That Film
I'm sorry but I'm fairly unmoved by the Minions. Much of the trailer seems to brush through a quick history of the minions from dinosaur days to almost present day New York. They are always looking for their very own despicable master to serve which has taken them through T-Rex to Dracula and will eventually lead them to Gru.
Despite my lack of love for the minions, it all looks pretty funny in an oh-so-cute and charming way. More importantly, Michael Keaton, Jon Hamm, Sandra Bullock and Steve Coogan have all signed on for quick and easy pay cheques so here's hoping there is something more for the cynical old farts like me.
Here's the trailer:
Are you sold?
More trailers from I Love That Film
Sunday, 24 November 2013
King of graffiti stop motion animation Blu returns
Blu is a graffiti artist who creates the most amazing, epic, landscape transforming stop motion animations you will likely ever see. If you have any interest in animation then check out one of his latest videos below:
This one is called Big Bang Big Boom and it is just incredible. His work before this has always been a bit magical but this takes his art to the next level. There is so much going on in this 10 minutes of animation and it feels as though Blu has painted an entire city and taken the viewer on a journey through evolution.
He paints on everything and there is so much interaction between his 2D paintings and the £D everyday world, that this is beyond anything Blu has achieved before. It also tells more of a story and does not suffer from the same sense of repetition as some of his other work.
Standout scenes are the beach full of litter and the part towards the end that shows the evolution of weaponry right through to the fatalistic finale.
If you skipped watching the video but are still here reading my pointless words, then go and click play right now. This is an incredible piece of moving art that has to be seen to be believed. Then once you've watched it once, start it again and appreciate the enormous effort and countless hours that must have gone in to creating this mammoth production.
Big Bang Big Boom is experimental, political and nothing short of mind blowing. I think Blu created this in 2010 but I've only just seen it and decided it had to be shared. Blu also has a website where you can buy a DVD collection of his work so if you like this, then go check out some more.
This one is called Big Bang Big Boom and it is just incredible. His work before this has always been a bit magical but this takes his art to the next level. There is so much going on in this 10 minutes of animation and it feels as though Blu has painted an entire city and taken the viewer on a journey through evolution.
He paints on everything and there is so much interaction between his 2D paintings and the £D everyday world, that this is beyond anything Blu has achieved before. It also tells more of a story and does not suffer from the same sense of repetition as some of his other work.
Standout scenes are the beach full of litter and the part towards the end that shows the evolution of weaponry right through to the fatalistic finale.
If you skipped watching the video but are still here reading my pointless words, then go and click play right now. This is an incredible piece of moving art that has to be seen to be believed. Then once you've watched it once, start it again and appreciate the enormous effort and countless hours that must have gone in to creating this mammoth production.
Big Bang Big Boom is experimental, political and nothing short of mind blowing. I think Blu created this in 2010 but I've only just seen it and decided it had to be shared. Blu also has a website where you can buy a DVD collection of his work so if you like this, then go check out some more.
Saturday, 27 April 2013
Epic Trailer and The Art of Epic Book Review
Some tunes are just made for trailers. They sound epic enough to market any grandiose piece of blockbusting entertainment. Guardian at the Gates is one of those tunes and features very briefly at the start of the trailer for the new animated film from Blue Sky Studios, Epic. This is the studio that brought us Ice Age and Rio but don't hold any of that against them, Epic looks like their most ambitious and... yes... epic films to date.
Starring a wonderful voice cast including Christoph Waltz on villain duties and Colin Farrell and Josh Hutcherson as the heroes but also the likes of Steve Tyler and Beyonce on supporting vocals, it could be an animated adventure that will appeal to all ages.
It's all about a bunch of tree dwelling little people. No not dwarves but really really little people that live in the leaves and talk to slugs and ride hummingbirds and stuff. It could be a tree hugging epic on the scale of Avatar and no doubt that was a little bit of the reason for using the epic sounding Guardian at the Gates which I last heard used in the Avater trailer. As soon as I heard it, it certainly brought back memories of my agonising wait to see that film and the countless times I watched the trailer in preparation.
Anyway the main reason I'm talking about Epic is that as part of my continuing writing for Starburst magazine, I managed to pick up a copy of The Art of Epic, one of those gorgeous, big coffee table books that features loads of pictures including stills from the film, storyboards and rough sketches. Here is my review of The Art of Epic. Check out the trailer for Epic below:
What do you think? Epic or epic fail?
Starring a wonderful voice cast including Christoph Waltz on villain duties and Colin Farrell and Josh Hutcherson as the heroes but also the likes of Steve Tyler and Beyonce on supporting vocals, it could be an animated adventure that will appeal to all ages.
It's all about a bunch of tree dwelling little people. No not dwarves but really really little people that live in the leaves and talk to slugs and ride hummingbirds and stuff. It could be a tree hugging epic on the scale of Avatar and no doubt that was a little bit of the reason for using the epic sounding Guardian at the Gates which I last heard used in the Avater trailer. As soon as I heard it, it certainly brought back memories of my agonising wait to see that film and the countless times I watched the trailer in preparation.
Anyway the main reason I'm talking about Epic is that as part of my continuing writing for Starburst magazine, I managed to pick up a copy of The Art of Epic, one of those gorgeous, big coffee table books that features loads of pictures including stills from the film, storyboards and rough sketches. Here is my review of The Art of Epic. Check out the trailer for Epic below:
What do you think? Epic or epic fail?
Monday, 25 March 2013
Animated Music Videos
Another popular style of music video is using animation techniques Some use cartoon animation, some use stop motion animation and others use digital animation. Sometimes the artist is represented performing in animated form and other times there is a narrative featured using animation.
My students and I are looking at different style of music videos and we have already looked at a couple of different music genres, and as-live or in concert music videos so far.
Animated music videos can often be very
eye-catching and allow the impossible to be achieved. Cartoon animation can
range from the simplistic child-like drawings of the music video for Nizlopi’s
JCB song to the anime style of Linkin
Park’s Breaking The
Habit. If the artist is performing in animated style, then lip synching can
still be included. In the case of the Linkin Park
music video, this was achieved by filming the band’s performance and then rotoscoping
it. This is where animators use the real footage as the basis for their
animation. Take on Me famously mixed live action with cartoon animation.
Stop motion animated music videos are still
very popular despite the increase of digital animation. They allow very
imaginative ideas to be brought to life. Stop motion is the process of taking
many still images and putting them together to create the impression of a
moving image. It can make lip synching difficult but many stop motion music
videos have achieved it. Plan B’s video for No Good took seven days to shoot on a stills
camera and is particularly creative for its use of lip synching. This ‘was achieved by
Levi shooting Plan B performing the track on a DV camera, then output the
footage at 12 frames per second and printed a book of all 2,800 frames, which
became their lip-synch bible. “Every frame we shot we showed him the relevant
page of the book and he mimicked the shape of his mouth on that page for the
shot,” says Daniel.’’’ (www.britishcouncil.org/antenna_uk_transcript_english.doc)
Other examples include Oren Levi and Her Morning
Elegance, early example Sledgehammer by Peter Gabriel and Coldplay’s Strawberry
Swing.
Finally digital animation is the most
recent form of animation to be used in music videos. It is the same principal
as other forms of animation with fluid motion being created frame by frame but
now on computers. The Red Hot Chilli Peppers use digital animation for their
video for Californication to make it look like a video game.
As always there are many more examples out
there and I would be very grateful if anyone could point me in the direction of
any better examples of animated videos and perhaps I can add them to this post.
More in this series on the styles, conventions and techniques of music videos:
More in this series on the styles, conventions and techniques of music videos:
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