Showing posts with label ownership and funding. Show all posts
Showing posts with label ownership and funding. Show all posts

Wednesday, 6 March 2013

Funding and Ownership of the TV Industry




The television industry is made up of many different companies, some publicly owned and some privately owned. The BBC is privately owned and is funded by a license fee that is paid be every household that has a television. ‘The BBC used its income from the licence fee to pay for its TV, radio and online services, plus other costs’. This means it is guaranteed an income every year no matter the quality of the products it produces. It also means that it is not allowed to make any money from product placement like other TV channels can, as it says in its editorial guidelines, ‘the BBC must not commission, produce or co-produce output for its license fee funded services which contains product placement’. There have recently been concerns over how the money raised by the license fee is being spent with many people raising the issue of how much BBC stars’ salaries are. The BBC has come under pressure to reveal the salaries of their highest paid stars but have not done this, citing the right to privacy of the stars. Some have called for the license fee to be scrapped so the BBC will not be funded by the public and then it will only be funded by its profits. These ‘profits at BBC Worldwide, their commercial arm, rose by 10.3% to £160.2 million’ in 2010 so there is clearly a strong argument for this.
 The funding of the BBC through the license fee has many critics with people arguing it is just another tax people are forced to pay and anti-competitive. Historically the BBC had a monopoly over the television and radio industries in Britain, meaning it had absolutely no competition and dominated the industries, but this was broken with the ‘arrival, first of independent television in 1955, then commercial radio in 1973’. Further calls for the license fee to be scrapped were renewed with the introduction of cable and satellite TV and particularly the increasing popularity of Sky in the 1990s.

However the funding of the BBC through the license fee also has many supporters. Some argue ‘the BBC produces a lot of output that the commercial sector wouldn't even consider. It is vital to the cultural health of the nation’. The argument that the BBC has an obligation to provide a public service and therefore to educate as well as entertain means that it does not have to fight for ratings by bidding for the most popular American shows and can afford to cater for niche audiences as well as the mainstream.

On the other hand ‘Channel 4 is a publicly-owned, commercially-funded public service broadcaster’. This means that they do not make money from the license fee and instead are funded from advertising and sponsorship. They are also allowed to gain income from product placement which is where is where a company pays a TV channel or a programme-maker/production company to include its products or brands in a programme’. Channel 4 is a business not made for profit and can buy and sell programmes as it sees fit in order to be a successful enterprise. It was set up (with aid from the government) to be an alternative to the BBC and to feature more cultural and ethnic diversity. All its profits go back into the business and it is a rare example of a publicly owned business that does not sell shares in the business.


Other television companies such as British Sky Broadcasting are funded through subscription and pay-per-view means. BSkyB is also a publicly owned company so it has shareholders that own shares in the company and can be consulted in the decision making process and also share in the profits and losses of the company. Sky operates a range of services and subscriptions and these services start from above £20 per month. These services are increasingly multimedia so people can have Sky TV, Broadband and Mobile apps. Their Sky Box Office and internet TV services bring in further income by allowing viewers to watch certain programmes for an extra pay per view fee. For example a recent Rolling Stones concert could be watched live by paying a one off charge and now Premier League football matches are being offered on a pay per view basis whereas before only those who subscribed to Sky Sports could watch them.

Many have accused BSkyB of being too dominant in the TV market and having a monopoly that means there is less chance of competition being able to thrive. It has even been investigated by the Competition Commission for this reason but the commission found that there is little that can be done in the face of BSkyB’s market power. Competition has increased in the form of subscriber streaming services for film and television shows such Netflix and LoveFilm but these do not have the same market share as Sky.


Ownership and funding in the TV and film industries is complex and includes many different means of making income from the licence fee to shareholders to ploughing existing profits back into the business. Concerns over the dominance of a limited number of companies are justified with huge multimedia, multinational conglomerates controlling much of the market and making it hard for other companies to emerge and compete. This is a major issue for the media because TV, film, print and radio play such a huge part of many people’s lives and it is undesirable for so much of it to be controlled by so few.

Bibliography


Saturday, 23 February 2013

Funding and Ownership of the Film Industry

For my article on funding and ownership of the TV industry, please click here.


I'm starting a new unit with my media students on Monday that I have never taught before. It's called Understanding the Film and Televsion Industries and their first assignment will be to look into the funding and ownership of these two media industries. In order to get a few things straight in my head and ensure that I know what I'm talking about before trying to teach them, I thought I'd give the first assignment a go myself. So here is part one on the funding and ownership of the film industry and I will try to keep ahead of the students by producing part two on the television industry asap!


The film and television industries in the UK and the US are made up of many companies that are all owned and funded in many different ways. I will first discuss the film industry and then move on to the television industry, focussing on the ways these two similar but different media industries are funded and owned in the UK and the US, referring to a range of contemporary and historical examples.

FILM INDUSTRY

The film industry in the UK is made up of a number of different parts. There are companies that are involved in Development, Production, Facilities, Distribution, Exhibition and Export. Skillset’s most recent research shows that there are ‘around 400 'permanent' (i.e. registered) companies in the film industry’ but this number can vary depending on how many film productions are being worked on in the UK at any time. Their research also shows that of these companies, ‘43% are production, 13% are distribution and the remaining 44% are exhibition companies’, meaning that much of the distribution side of the film industry is likely funded by foreign companies, often Hollywood studios that help to sell British films to US and international audiences.
               
The British film industry does not have quite the same power and wealth as the big Hollywood studios and therefore depends much more on public funding and financial aid from government intervention. In 2012 it was announced that ‘some £285 million of National Lottery money is to be put into the British film industry over the next five years’.  The British Film Institute (BFI) will determine how this money is spent after taking over funding responsibilities from the UK Film Council which no longer exists. Though there will be spending in other areas, much of the funding will be put into the production and development of future British films.



The producers of The King’s Speech for example had to scrape together the approximately £10 million budget from the following companies:

UK Film Council (presents)
Momentum Pictures (in association with)
Aegis Film Fund (in association with)
Molinare Investment (as Molinare, London) (in association with)
FilmNation Entertainment (in association with)
See-Saw Films (as See Saw Films)
Bedlam Productions (as Bedlam)


Some of these companies, for example the American The Weinstein Company, would invest in production in order to gain the distribution rights and therefore a larger share of the profits when it is released. ‘The Weinstein Company (TWC) is a multimedia production and distribution company’, independently funded by its own profits, and ‘also active in television production’ showing it is both vertically and horizontally integrated. Vertical integration is where ‘a company expands its business into areas that are at different points on the same production path’ so when a film company owns the means to produce films and then also the means to distribute them, it is said to be vertically integrated. TWC is also horizontally integrated because it has acquired ‘additional business activities that are at the same level of the value chain in similar or different industries’. Not only can it produce films but it has also expanded into producing television shows as well.


Concerns were raised in the past about the major Hollywood studios’ oligopoly over the film industry. The so called ‘big 5’ studios were vertically integrated to the point where they owned the means to produce, distribute and exhibit their own films which meant that other films did not have a chance against the poser of these big studios. The Paramount Decree passed in 1948 meant that the studios had to sell their cinema chains as this much vertical integration was seen as anti-competitive and therefore made illegal, diminishing the power of the old Hollywood studios.


However despite these moves to stop excessive levels of vertical integration, the film industry is still dominated in the US and UK by global companies such as Time Warner. Warner Bros. Pictures is a subsidiary of the global conglomerate Time Warner and produce films such as the Harry Potter franchise. But Time Warner also owns HBO, ‘the world's most successful pay-tv service’, the Turner Broadcasting System that ‘operates worldwide news, entertainment, animation, young adult & kids media networks and related businesses’ and Time Inc who are ‘one of the largest branded media companies in the world, with a portfolio of 96 titles’ which means they are horizontally integrated over television, film and print media. Warner Bros operates internationally all over Europe, Latin America, Japan and Australia leading to some concerns over huge companies like this and their potential influence over a global audience.

Bibliography so far:

 


 Part two on the television industry coming soon!